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Analysis Of The Republic Of Painting

Posted on:2008-01-11Degree:MasterType:Thesis
Country:ChinaCandidate:K F LuFull Text:PDF
GTID:2205360215454355Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In paintings was an extremely important period in China's history of painting. At the beginning of the 20th century, especially in the "54" campaign, Western culture in China had been widespread. Many work-study students went to Europe, and learned the Western painting techniques and concepts. In this age wave, canvas, as a Western art form in China spread, many prominent artists have emerged, such as Xu Beihong, Liu Haisu and Lin Fengmian. However, as the war continued, oil has not been very good in the development of the outbreak of war with Japan, the current situation is volatile. So ,the painting was in a serious blow to the former. And the realism in the painting gradually become mainstream. In Chinese painting, oil painting although only a short period of prosperity, from the history of the development of Chinese oil paintings, It is very immature, and not yet ripe, but with the concept of art in the West, it has almost the same time. Tainting in a pluralistic pattern of this period, showing the face of a hundred schools of thought contend. Due to various reasons, they did not extend such prosperity in the oil situation. In depict the impact is indelible. In today's China painting, the artist is painting style of art education or training system, In both painting and art education.
Keywords/Search Tags:Realism, The New Culture Movement, students
PDF Full Text Request
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