"zero" And The Poetic

"Objective" is not only the main narrative strategy of Robert-Geliye's fiction, but also a new development. First, getting rid of the traditional subjective approach, he set off a subversion of the traditional concept of "people-centered novels revolution" and made "object doctrine". He put the strict, science and precision into realism literary writing, the work style became calm, objective and soul. Secondly, through a series of fun, the narrative of the appeal is gone. The twentieth century was an unstable, floating, uncertain century, which made the novelist no longer to write the enrich, understanding and simple narrative; It is realistic "lack " that decided by the museum should have a Geliye "lack" artistic text to reconstruct a "missing item" world. Using the instant nature, paradox, broken, open and the flow of "missing items" to the traditional style of breaking the continuity of time, the Council of causation, the close system without missing, the structure of the closure and ecologically static "integrity". Once again, Robert-Geliye making film arts effects created a "more entities, more visual world".Robert-Geliye seeking such "objective" is more subjective bias. More of the underlying meaning of "legalization" and "Unlegalization" psychological awareness. Literature is not limited to provide many practical rules to explore the truth; it must have its own strategy for the use of race rules legalized. "Zero writing" is to subvert the traditional literature systems an ideal that is of great hypocrisy, and made timely since the novel theory that the reasonable and legitimate, and "zero" objective description of the traditional way of passing down the writing literary norms legalization suspected basis of the rules of the game have been trying to subvert and eliminate the existing literature authority and the rule of law, re-build our times "literary law".Pursuing objective, within the existing order without any explanation of the judge "zero writing" is a sober look at the representatives of writers and watch attitude, which is not warm participation, criticism, but in a calm and denial dispelled. In traditional forms the basis Geliye also through "images" and "reader's participation" to express the poetry of literature, this "silent winning audio" is a truly powerful intervention and resistance.