On Schumann's Music In The Title

The argument of this thesis is to give a comment on the literariness structure, or we can say it is a programmatic factor in Schumann's music. His music is a reflection to his music thinking and his own nature. He used to use some pen names such as Eusebius, Florestan, Clara and Larrou to publish his comments on Neue Zeitschrift fur Musik. Each of the characters he used has his own nature, but actually, each nature is a side of Schumann's nature, and this situation also happens in his music. To understand his music as well as we can, we have to know the history background and his music thinking.