On Su Shi's "natural" Literary And Artistic Idea

There is a kind of "Ziran" theory on literature and art in China classical aesthetics. It represents the gist of Chinese ancient aesthetic thoughts, and merges in all kinds of traditional theories of art of China. This text aims to explain "Ziran" theory on literature and art of Su Shi in order to grasp the classical aesthetic tradition and make some tentative exploration.Part One, describes the historical development of "Ziran" theory from Pre-Qin Period to Tang Dynasty in hope of holding its historical origin.Part Two, begins with an analysis of era characteristic of "Ziran" theory on literature and art in Song Dynasty; and then proves "Ziran" theory on literature and art as the key status in Su Shi's aesthetic thoughts and its deep influence.Part Three, analyses "Ziran" theory on literature and art of Su Shi in details. First of all, as the resource of art creation as is concerned, Su Shi put forward the thought of "have no intention for being writing", which art creation stems from one's own free emotion and gets rid of all interference of utility. Secondly, to the course of the concrete creation, Su Shi puts forward "Ziran" psychology theory of "body merges with the bamboo" and "Ziran" law theory of "no law". Thirdly, Su Shi persues "Pingdan" style on the artistic styles. Finally, what the above-mentioned theories of art are reflected is Su Shi's limitless admire for" Chaoran" personality " and pursued.Part Four, analyses the forming origin of "Ziran" theory on literature and art of Su Shi. On one hand, as an example of ?DongPoYiZhuan? , analyses "Ziran" philosophy which is as his art foundation. On the other hand, the forming of "Ziran" theory on literature and art of Su Shi benefits from the deep understanding on the merge of Confucianism ,Fo and Dao,which also casts his "Chaoran" spring.In a word, Su Shi's "Ziran " theory on literature and art makes his literary theory demonstrate the unique characteristic , and makes indelible contribution to aesthetic thought of Chinese ancient literature and art.