Literary Criticism. On Li Changzhi

Li Changzhi is one of critics who have distinguishing criticism feature in the contemporary literature criticism history of China. He not only created the special research literature criticism treatise ,Criticism essence,but also created many literature criticism theory articles and essays, Suffering fog anthology, Dream rain anthology. Because of history, the academic circles lack proper research to this critic who had distinctive personality. His rays of light in theory were covered in a long period of time. This article expounds his criticism views , his criticism means, his criticism personality and the reason that the criticism personality takes shape. At the same time this article demonstrated that his criticism idea has great significance currently and in the days to come to the Chinese literature and art theory construction. Full text is divided into five sections in all : The first section is briefly about the criticism view of Li Changzhi. He stands for "Emotion criticism doctrine ". At the same time he thinks literary criticism is also science. He pursues the literature criticism ideal of perception. The second section analyses the criticism means of Li Changzhi. He follows "Emotion criticism doctrine."Besides, he united the experience of the critic, the language style and the cultural background, in which his unique personality stands out. The third section expounds the criticism personality of Li Changzhi. Li Changzhi's distinctive criticism charm is displayed in comparison to other writers like Li Jianwu , Zhu Ziqing .He united one's personal experience, culture , language in his entire comment .Succeeding predecessors and reclaiming somewhat ,he flied his own colors in his time. He united Chinese traditional wisdom and western tight logic. And he focused on not only emotion experience but also scientific analysis and united them as one and surpassed them. The fourth bibliographic categories branch analyzed the reason that the criticism personality of Li Changzhi takes shape. The first is the Chinese traditional criticism style. The second is western literature and art idea. The third is his reason. He had rooted in traditional literature of China keenly and western literature within his romantic personality. Thereby criticism personality takes shape of itself. The last section evaluates literature and art idea of Li Changzhi and promulgates such contemporary sense. For a variety of reasons of history, His rays of light in theory were covered in a long period of time. His criticism essences of experience criticism and...