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On 1985 After Chinese Contemporary Novel Non-historical Character

Posted on:2005-06-29Degree:MasterType:Thesis
Country:ChinaCandidate:J F WangFull Text:PDF
GTID:2205360152466488Subject:Chinese Modern and Contemporary Literature
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Along with the development of the market economy in China, the amusing and popular culture is rising rapidly, the extensive foundation of the ideology which the literature originally depends on to exist was weakened, every kind of fresh literature idea in the West also provided the new opinion for the contemporary writer, the "historicized" method of inditing, which was under the control of the authority, which constructed grandiose history and elucidated reality, was queried unprecedentedly. After 1985, the contemporary novel writers in China provided a kind of new method of inditing?"non- historicized" , and construct a new kind of "non- historicized" character.It is a hard process in the development of "non- historicized" character, the character is growing up under the effort of a group of writers. Writers of the Xun Gen novels self-consciously depicted the ethical and regional culture avoiding the culture of the authority, slipped the control of strong political words, it not only made the "non-historicized" character into maturity, but also the character was likely to thrive.The writers of avadavat literature embark on writing distinguish from the former writer, they especially attached importance to the modalities of the presentation and the rule of language, made the ways into diversification, their works unfolded a aesthetic tendency, accelerated the literature to itself, found a fresh method for the manifold presentation on the narration and language experiment, especially they face on the pain of the life, began to search after the value reform about the soul, therefore their works had deeper and more extensive content on history. The new realistic novel eliminated all kinds of politics and ideology adhere the contents of the literature through praising living consciousness, enriched the content of the contemporary literature, make literature which was a tool returning to the literatureitself.The new generation writer considered history and actuality as individual experience to describe, cleared up the style of the grandiose history, made the history appearancing as the way of "non-hi.storLci.zed", "non- historicized" writing became mature and sane from onefold treachery. The private writing of the female not only lapsed from the lumbersome social duty, but also cleared up the high-spirited pneuma , and the narration of the grandiose history was eliminated with the beautiful femal writer's solacing on themselves. The new historic novels are more important than other,because it turn the novel into a kind of game, or a kind of self-conscious carrier, the complexion which the literature reformed the history came into being, and the new historic novels deepened the aesthetic meaning of the "non- historicized" character.All in all, the "non- historicized" character is a kind of living fettle or aesthetic gusto as is ego, individual or folk existence, is a kind of non-power appearance and non- heroical culture appearance, is a kind of new tendency of the value. It succeeded to get away from the "historicized" method of inditing, completed to restore the literature itself, and released the 1 iterature from sociology, history,and politics. The "non- historicized" character realized literature separating from the separation of the social politics, and broke the old realism tradition in Chinese literature for many years, and provide a kind of new aspect of the thought for the contemporary clerisy. The character is considered as a kind of realistic, culture space of lightheartedness, the effect can't be estimated to the developmentof Chinese contemporary literature.
Keywords/Search Tags:the contemporary novels in China, non- historicized, character
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