Political Ideology Of The American Film Secrets And Ideological Security

When we analyze the political intension of the artistic problems, it is necessary to bring a basic principle of the historical materialism up again: Art is a thought part of the social superstructure, and it is also the reflection to the economic base. Meanwhile, art can act on and influence the economic base too. The logic of Marx political economics starts on the economy attribute of goods, the reason why we lack the analysis of political economics to the film for a long time is just because we have been ignoring the goods attribute of the film, regarding it as a kind of transparent art itself. Just since the reform and opening-up, with the driving on boldly on a large scale of American films, our thinkers , politicians , entrepreneurs are fidgety , begin to study " the wolf coming from western "from each position.The innovation of this text lies in that it concentrate on analyzing the ideology issues of American films, and has revealed the countless connections between the American political circles, economical circles and moviedom to a certain degree, The purpose of it is to arouse the compatriot's vigilance to American films. The film is something fashionable and can catch young people's heart most. For a long time, all of us feel that the ideological and political education of the youth is weak and feeble, in fact, the capturing to the young thought position of American film providing a rare model for us. To a sovereign state, ideology is one of the elements to support its national survival and development, if ideology mansion of us collapsed by the ideology shell carry of the American film, then the spiritual prop of the Chinese nation will disappear, China civilization will finally gone with the wind just as the Babylon civilization, Egypt civilization, and the India civilization. The great rejuvenation of Chinese nation will also just as the flower in the mirror or the moon in water.The part of the thesis introduction has analyzed two questions mainly: First, the ideology problem of the film, second, the research approach of thistext.The first part of the thesis reveals the secrets to political ideology of the American film, reveals the ambiguous relationship directly between the American film in history and it political paropagatement. The American film in history and the Central Intelligence Agency. The ideology kernel of the American film, and so on.The second part of the thesis mainly research the impacts to China's ideology of American film: Setting out from the American film's dominant political economy background, analyzing the six monopoly financial groups and their monopoly profits, therefore carrying on reasoning, deduce the inevitableness of the cultural hegemony . On this basis, making a concrete analysis of these three shock waves that the American films effect on the Chinese ideology form;The third part of the thesis is to analyze the Chinese safe problem of ideology emphatically, has put forward five major counter-measures: Strengthen and improve the ideology work of the media field of movie & TV; Treat the problem of Sino-America films with the view of" systematic theory "; Accelerate the nationalization , industrialization and internationalization of the Chinese film; Prosper the philosophy social science, strengthen the academic support system of the Chinese film; Deal with the relationship between Chinese politics and Chinese film ,etc.