Chinese Contemporary Sculpture "symbol" Speculative

It has been quite rampant in the contemporary art of today, regardless of social and cultural development to what kind of a height, systems and habits, and aesthetic value are not always derailed. In China, need to be solved a number of pre-modern feudal society and semi-feudal form of social reality, such as democracy, equality, freedom of speech, equality of opportunity and the implementation of procedural justice Dengjun nothing, and then they set off a revolution in the Great Leap Forward of contemporary art in general. The result would be unreliable, for example, some Chinese artists face the contradictions of contemporary post-industrial civilization, trying to use the traditional Chinese "Harmony", "Five Eight" and other concepts to solve. And this solution must be out of touch, one-sided, and its purpose is to reflect traditional Chinese culture is superior to modern Western culture, I think this is the result of vanity.I must emphasize that: China's contemporary art including contemporary sculptures from Western modernism, post-modern art, because China lacks the practical foundation of modern civilization, he not only has a modern tool for awareness of the concept of modern civilization. Therefore, the Chinese thought and art of contemporary art disguised as a conservative revivalist. Western contradictions facing modern civilization, almost as a show of Chinese nationalism, the superiority of China's capital. To "Taoism Confucius and Mencius," and "Harmony" Thought can not completely solve the contemporary social and artistic merits.The Chinese contemporary art including contemporary sculptures shown impetuosity, gave birth to the illusion of unrealistic requirements of modern civilization - the excessive superstition of Western, Western modernism or postmodernism as a solution to social problems in China shot in the arm, It presents a superficial and empty ritual, and does not constitute the essence of social spiritual thinking. Seemingly avant-garde thinkers and artists, and their main idea is really the traditional "Taoism Confucius and Mencius," "Heaven." Thought and Practice acts of conflict, often so that all thought and art to a completely hollowed out.Firstly on the development of Chinese contemporary sculpture, existing problems and characteristics of comb on Contemporary Sculpture made a more comprehensive introduction. Then what the history of culture, communication of sculpture to modern Western culture and art of oriental culture and the arts to stimulate the invasion, describes the contemporary cultural and artistic exchanges are unequal. It is this inequality. Resulting in contemporary Chinese artists, sculptors hearts on the imbalance. Inferiority, nationalism, national vanity and other mind spontaneously. The mentality of the balance of the sculpture upside down empty, boring, lack of true feelings. Sculpture as a form of art, and art as a social ideology, to their social, economic and political situation and other aspects of development consistent. In the West, modern and contemporary art boom is fully consistent with the needs of society. The situation in China, the surface seems to have entered in the contemporary, in fact, still remains at "before the contemporary" level. In hardware and form, China is a fast pace into the modern, rather than the intrinsic nature of the need, in other words, the image of Chinese contemporary art is shaped by the external drive and made.Therefore, the surface of the booming Chinese contemporary sculpture should be worth the phenomenon of calm reflection. Long, healthy, virtuous circle of contemporary sculptures is what we expect, and want to contemporary sculpture, the development of long-term health, or how to make the true performance of Chinese contemporary sculpture present to the real wealth of society into the public, will be present urgent problem. Otherwise, China's contemporary art contemporary sculpture, or even impossible to truly achieve its social purpose. Therefore, I believe that the contemporary Chinese sculptor is more important to think of himself as a member of the public, not superior, to use the perspective of equality of deep concern to the survival of the common experience of the public, and then extract the relevant art from ideas and expression.