Analysis On The Image Of Chinese Contemporary Oil Painting

The form of Chinese contemporary oil painting can be broadly divided into two, one is the tendency of traditional form and another form of contemporary art trends, the former is of ten n arrative -based oil painting, which is the study of formal language, or express a Concept. Image of painting to contemporary in between, in between like and not like, that is the concept and forms of realism there,this unique form of it, different creative language, and its inherent cultural meaning, formed a new Painting schema.This paper analyzes a group of Chinese imaging painting, who are Pathfinder of imaging painting on the history, some insights from their own life experiences, they stick to their own pastoral ideal. Their representatives are Dai Shihe and Wang Keju and so on. Some focus on the roots of local culture which carrying significant historical responsibility to protect traditional culture, Cosmology in the Chinese culture as their own creation nutrients, demonstrated in the work of a Chinese literati sentiment, is the legitimate heir of Chinese culture. Their representatives of these artists are ZhaoWuji, Shang Yang and so on. With a modern evolution of urban form, many visual symbols had been created. The performance of a rebellious spirit. Provided to people through the different viewing angle, gives a profound thought. This is undoubtedly an alternative to the traditional inheritance.Representatives in this regard is Zhou Chunya, Ren Xiaolin, etc. They are the Chinese contemporary imaging painter's representatives. They are both realistic figurative criticism and subjective expression of abstract images. Facing the End of the so-called easel painting in the gateway, the Chinese oil painter who practiced to creative development and achieved a modern image of the turning point of Chinese oil paintings. Whether to keep up with changes in the language of globalization, or aggregated into a force to continue the road of contemporary painting system. This is the significance of this study.This paper discusses the different contexts of the concept of contemporary Chinese painting images and analysis of development status of contemporary image of oil painting as a starting point. The diversity of multi-dimensional exploration of contemporary Chinese painting is divided into three main types, external imagery painting, internal imagery painting, post image painting. Combined with analysis of these specific cases and the artist demonstration. It is the survival value and significance that in the multi cultural context of the world. This paper uses the analogy, illustration and induction.