On Contemporary Chinese Imagery Oil Painting And Cultural Dimensions

Contemporary manifestations of Chinese oil paintings can be divided into three systems. One is inclined to traditional arts, as a realist narrative text for the main thrust of the realist painting. The second is inclined to modern or contemporary art. Both the form and the language of the concept is modernity critical. Imagery painting, to fill the vacuum between the two words, in the form of their unique identity, language and cultural connotation of form, are two completely new painting Schema. Life experience is simple watch, or visual symbols into the concept of extension, it is the cultural root localization, and globalization on the Evolution of Language; Pastoral is the ideal stick, or the evolution of modern urban form, it is a reality, as the image is critical abstract imagery subjective performance? How to build a sustainable development of the contemporary imagery painting system is the development of contemporary painting images presented to us a new topic. This is a problem.Based on philosophy and aesthetic concept of the traditional Chinese painting images and globalization - localization; modern -nationalism as a cultural aesthetic point, painting images from the perspective of the cultural values of contemporary Chinese painting images is of survival value. And described in the course of this paper attempts to answer the following questions: (1) the theoretical source of imagery painting; (2) Image painting and the performance difference; (3) Image painting aesthetic form of classical philosophy; (4) Image painting traditional cultural patterns; (5) image of a modern form of painting.