Which Of The Art Of Calligraphy From The Wu Dacheng "seven Seal The League Dynasty

Textual criticism thriving in Emperor Qianlong and Jiaqing, advocate demonstration, unearthed a large number of stones, led the stone, the development of writing and other disciplines, but also stimulate the creative art of calligraphy. Dacheng Wu, the late Qing Dynasty, this set of collection, identification, examination, according to stone in one's art, that is, the life energy is committed to stone text science of textual exegesis, in the ancient writing, epigraphy achieved a high success.On the altar, in the late Qing Dynasty also had a deep impact. He deep study of majuscule seal script, advocating "quaint". And the stone as a learning book, learn carving templates. He is very good at regular script, running script, clerical script, seal character, seal cutting and so on. Regular script to learn the North monument, running script to inherit Shangu, clerical script to study Zhangqian, seal character to imitate Shang Dynasty and Zhou Dynasty, seal cutting follows the example of bronze object and ancient seal. He left many works of his life including elaborate creations and many of the inscription rubbings of preface and postscript, however, substantially the form of work is seal character and clerical script. seal character neat and propriety, integrated large seal script into small seal script, on "the originator of the inscriptions.The article is individual cases research about Dacheng's art activity in Shaanxi-Gansu area, Officer for three years in Shaanxi-Gansu area, he was widely intercourse, collecting a lot of stones and paying a visit old haunt, also affected by the impact of the calligraphy style, Changed greatly. I pay a visit old haunt because I go to school in Shaanxi. I can discover first-hand information and collected many pictures about Dacheng Wu. I tried to sort out, identify, compare, interpretation, analysis pictures by his arts activities in Shaanxi-Gansu area, make the article systematic, principled, written arguments, Dacheng WU who study addendum.First, by means of compare works, picture and text inter- attestation, document quote, I analyze The four-line poem with seven characters seal character collecting in Shaanxi Normal University library, this works wrote Dacheng Wu's middle-aged, namely the times of calligraphic art transition. Secondly, with works research for point in his collection of inscriptions Shaanxi-Gansu area is a face begin discusses artistic activities in Shaanxi-Gansu area and described in this region handed down the works and its style characteristics, forming factors, calligraphy thought, etc. Finally, with Changshuo Wu, Shiling Huang, Changchi Ye etc the example about his Shaanxi-Gansu area in bronze collection to ourselves and the influence of later generations.Dacheng Wu as of late Qing dynasty scholar calligrapher, study preciseness, be fond of inscriptions, making friends throughout his life, a lot of bibliography, such as sorting descriptive literature and into the character Ke zhai ji gu lu, collecting and compiling the bronze to write Heng xuan suo jian suo cang ji jin lu, identifing and editing ancient seal and jade article to compose Guyu tu kao, study of ancient writing and the history institution to issue Shuo wen gu zhou bu, Zi shuo, Quan du liang heng shi yan kao, etc. In short, he had a high position in sphragistics, archaeological, ancient philology and so on in our country and all had the great significance in cultural communication history contribution.