Qin Flute On Behalf Of The Figures And Their Playing Works Of Music Features

The flute belongs to China ethnic instruments, one of the important component of the flute formed according to different music style of regional also exist great differences. Qin with regional features to the flute is which gradually formed. performers are in China gradually the flute bound feet. work with unified outcrops regional music style, playing skills represents the flute national instrumental music group. However, each player has shown music style was very different. Each player in qin land has a long-term huolulingjiao-pengwu music culture, so to qin features is this subject to the regional characteristics in qin dynasty based on the land, and the flute music works famous musician is analyzed. The author tries to analyze the flute music in the qin dynasty more bright and clear, makes music style in the grasp of the flute place have more explicit instruction function. Analysis results are as follows:First, the first part of the second chapter of the flute classification and historical context are summarized, namely from ancient times to transition to a period of feudalism, and contemporary flute music every time the flute music style, the development background, flute classification, flute, ancient and modern development of production materials such as figures and representative repertoire analysis and induction content.Secondly, in the second chapter of the qin dynasty the first part of music style to the flute distinct regional characteristics are analyzed, the prerequisites are as follows: an analysis of natural geography climatic background on the flute music produced in qin forces playan essential functions, such as advantageous geographical advantages, complex landform has the world's largest loess plateau, is called the nature of qinling. flat adjuster guanzhong plain, etc.; Two, strong historical culture is formed music to qin flute fertile soils. Such as qin in former days hou to a ruling class thous must-win states, ten of the political and cultural center of music and far-reaching influence on the peripheral hinterland also refraction;Three, rich music culture resources for the development of the flute music to qin provides abundant creation material and creation material. Such as qin folk music, opera to numerous music forms such as flute always in them and continuous development important role of accumulationFinally, the third chapter, the fourth chapter, the fifth chapter of the qin dynasty made a great contribution to the development of the flute analysis of contemporary flute player. This topic respectively from the performers on the life introduction, textbooks works, record distribution. scientific research achievements so as to collect expatiated: On the other hand, the house of representatives in creative work analysis, i.e., separately from his works creation background, creation material, melody structure analysis, and music in the qin dynasty to the representative flute music repertoire and other places of shaanxi contact as the main content. Watership qin in music material aspects to local characteristics on the tune, for example, focuses heavily accented "XinTianYou" flute solo "cast sacrifice for the flute concerto spirit", shanbei four chapters"; Watership music joyfulness sound qinqiang drama of "spring pregnant characteristics of the sound characteristics and bitter intention of shaanxi":In ancient music xian drum creation material of tang dynasty to teach the eponymous daqu fang fang hatred "mofa music of the writing background, melody structure is introduced and analyzed.In this short four or five decades, qin to create numerous the flute player with a unique style of flute song, these characteristics with unique style characteristics to the music works for the qin dynasty Chinese bamboo flute this family injected fresh blood in our country, rich bamboo music, plus have distinctive flute teaching methods, teaching materials, theoretical works and flute and put these works in teaching practice, this test dedication and innovative spirit is worth Chinese ethnic music and even the entire music industry to inherit and carry forward, and the development of Chinese music of bamboo has powerful role. Therefore, strive to find and develop the regional cultural superiority, strengthen the nation's cultural exchange, deepen the eastern and western culture and contemporary music further exchanging innovative cultural construction of bamboo, for the entire Chinese ethnic music will add new ideological recognition of development.