Xu Wei's Aesthetic Thought

Based on the profligate unrestrained and profound scholarship of brilliant expression of emotions, Xu Wei can be judged as a born artist and the famous characters in the living age of Ming Dynasty who works heard through innovations in a pioneering spirit on the domain of Chinese liberal studies and intellectual history. He enriched and developed"forthright descriptions of emotions","unity of form and spirit, connection of intermission and advance gradually","the natural creation"for aesthetic ideology, which also made a great advance for artistic creation and theoretical investigation of Ming and Qing dynasties, the thesis can be divided into four parts for explanation:The first part related and analyzed the cultural background and realist theory. From the prevalence beginning of"secretariat style"in Ming cultural background, it indicated that the cultural drift is revivalism promotion. Above all things, the revivalism of Seven Son's"articles depend on Qin Han Dynasty; poetries depend on Glorious age of Tang Dynasty"which is in seething process. At the very moment, as the official culture, the Confucianism could not solve practical questions. And Wang Yangming's"Mind Subject"was germinating and spring, which illuminates great vitality. Xu Wei was living in such critical period, and he just show off his personality comes and artistic spirit. The antecedent theory for the creation of the Xu Wei's aesthetic ideology, this thesis mainly discussed the influence from art and philosophy of Taoist and leftish monarch subject. It tried to return Xu Wei into such objective historical and academic background for researching.The second part is the core of the paper. It discussed the content of the aesthetics of Xu Wei in detail. First, it gives the ideas of "Sincere love to write," "Poetry of the peaceful situation," of Xu Wei emphasized that "the truth". And this "feeling" is "out from the heart", it contains the "truth from the heart to be easier to move others, and spread with the later" in Xu Wei eyes. He found the theoretical end of "love"Next, it analysis explains the Aesthetics of "Form and Spirit, gradually combination" of Xu Wei."Form and Spirit," mainly refers to the creation of his painting. He believes that the Lord of painting is "Spirit". But it can not negate the existence of the "form". Because the "form" is the basis. If we do not seek "form" but "Spirit", we will lose the foundation of the whole picture."To combine the Form and Spirit"is mainly from the impact of his thought by the Buddhist in the aestheticsFinally, it explored the Theoretical of Xu Wei's"Quality theory ". On this basis, it described the Theory of Quality theory of Xu Wei in details and it included language on the secularization. "Nature" is the seating of arrangement and nature. "Nature" is the performance of "true". It generally recognized the value of the individual. This section is from the multi-level perspective on the aesthetics of the construction of Xu WeiThe third part sums up the Aesthetic Thought of Xu Wei-- Division on the heart. He stressed that the role of "my heart". This view is under the influence or guide of his the painting concept-- not to seek quite similar but to find charm. Certainly, he stressed that "my heart", but does not deny the inheritance of ancient and classical absorption.Fourth part discusses the value and impact of Aesthetics of Xu We. He greatly enriched the theory of nourishing the Ming and Qing dynasties. It also affected the thoughts of many famous painters and calligraphers, such as Ba da shan ren and Shi Tao...