On The Construction Of The Problem Of The Color System Of Tibetan Characteristics

With the implementation of the western development strategy forward, the Tibetan religion and Tibetan culture, artistic inheritance and development of further attention. Located in the Qinghai-Tibet Plateau Tibetan people in long-term production and life, formed his own view of national understanding of color, both strains of Tibetan monastic architecture, or every household that housing, tents, on the colorful prayer flags fluttering in the wind, the large and mysterious color system of color interpretation, all the time not to make people feel a deep sense of "possession of taste.""Color" for the generations living in the Tibetan plateau on the spirit and the daily life of people with very unusual for the relationship and significance. In today's emphasis on "individuality scene" of society, how has the unique charm of the national colors and into the modern designs through the most essential and simple language to convey the color visual design vocabulary, which is a test for modern design . This rich ethnic characteristics of the visual elements of form and language, cultural attributes of this area, we explore the modern design is an important resource nationalization. Grasp the law of which the essence of science that it should be systematic, so that from the perspective of color into our designs to, what we are striving for.Preparation of this article is to examine the work carried out with the Tibetan areas in the folk culture of ethnic minorities to do when mingling survey, in-depth site visits Tibetan hinterland of its local characteristic, and focus on the nation to observe the color of human geography characteristics, subject Groups of teachers and students identified during the local ethnic mingling of various colors are with the local natural and cultural factors such as the existence of direct or indirect contact aesthetic. I then collected samples of the documentation, classification, and its launch color analysis, using graphics software to export its chromatographic and extraction of the color mode value to data combined with the Western system of color theory. Color with modern design methods to establish the color system with Tibetan characteristics, and on how to extract color elements into a modern design issues of the positive factors of the new.Paper is divided into five parts: The first chapter is the text of the introduction, from the research background of the historical opportunity and status of account of the topics of the reasons for and explains the research method, made to define the scope of the study, and finally explained the need for this research project and innovation .The second chapter is a Tibetan comb color characteristics for the total. First of all colors from the natural landscape and cultural landscape color two major aspects, and thus on the nature of the sky, soil, mountains, water, plant color; on the Humanities in religion, folk color analysis.The third chapter of the Tibetan colors from the color appearance, color and symbolic significance of color, create (using) a detailed analysis of three aspects.The fourth chapter is the focus of this chapter. The use of modern color geography ways, through the Tibetan chromatography analysis and research, refine a set of unique characteristics of the color system of the Tibetan people. Then color the theory of knowledge, from the visual elements of color aesthetic point of view the situation and their analysis of the relationship between the ratio.Chapter V is a summary of the full text. Try also with Tibetan characteristics of how the color system into the modern design of the positive factors issues. Finally, note the follow-up study, found some problems and put forward thinking.