Chinese Painting "density Two-body Language, Structure And Style Of Implication

"Painting sub-density two-style" is a unique phenomenon in Chinese painting. To trace the course of development of Chinese painting, you can see the "density" of the origin of the second style has far-reaching and clear development path. Tang Zhang Yan Yuan for the first time in the "art history in mind" that "if known picture of a two-style density, before meeting almost picture",and thus the traditional figure painter Gukaizhi, Lutanwei, Zhangsengyou , Wudaozi pairwise phase is divided into "density" two styles, Gukaizhi, Lutanwei are a "dense styles " Zhangsengyou , Wudaozi are classified as "sparse style." This "density" inheritance of the second flow style has an important aesthetic significance. Then, the painter of the "density" two-style theory and creative practice was further hair growth. Whatever may be said that from a theoretical level or levels from the painting, "density" Two styles have important research value. This paper from the "density" two-style point of view, focusing on the Ancient Chinese Painting techniques and styles of different types, and theoretical writings and related works to link artists of different depth grasp of the Ancient Chinese artistsof understanding and the pursuit of the aesthetic realm...