From "dream Of Red Mansions" See Kangxi And Qianlong Era Opera Cultural

In the past times, when there are lack of records, videos and images information, the novel provides us with a great deal about the true description of social reality. The most prominent feature of the novel is the image, life, which is different of the documentation. In this paper, the author as culture and historical drama described in "Dream of Red Mansions" for the main object of study, combines with historical documents or artifacts of data, and makes use of literature, sociology, history, folklore, ethnology, philosophy, arts and science, cultural anthropology, cultural Psychological to take care of the opera and cultural historical data about "Dream of the Red Mansions " in the multiple perspectives. This is not only to compensate for deficiencies in the history of opera, but also to make the faces of Jutan true in Kangxi and Qianlong period. six chapters of the paper.In the introduction section, the paper mainly expounds the motivation and purpose of the scoping study of the topics, the status quo and foreign researchers, research methods and expected results and so on. The author comments "Flowers Masayuki struggle" from the performing repertoire from in the first chapter. Through Textual the productions of the research in "Dream of Red Mansions", to make a look at the true face about "Flowers Masayuki struggle" in the history of opera during the Kangxi and Qianlong and an analysis about the attitudes of Cao Xueqin to "Flower Masayuki struggle". In chapterⅡ, the images of actors in the house from the 12guan are described. Through analyze the 12guan in the "Dream of Red Mansions", to explore the originally Keeper's home, conditions, equipment status and the tragic fate of the drama actors during the period of Kangxi and Qianlong. The third chapter analyzes "Male wind" phenomenon from the life from the male drama actors. By describing the deeds of Lingren Yuhan Jiang and Chuanke Xianglian Liu "Messire", the author examines the male-male-ling-based phenomenon and its prevalence causes during the period the Kangxi and Qianlong. Chapter IV sees the aesthetic tastes about the audience from their likes. By using classification, the audience which are divided into six types in the "Dream of Red Mansions" are addressed, which is designed to explore the audience's aesthetic tastes about opera during the period the Kangxi and Qianlong. Chapter V sees the face of Jutan of from the diversity of theater. Through analyze the origins and diversification of theatrical venues, the paper looks at the unprecedented prosperity about drama in the Kangxi and Qianlong period.