A Study On The Difference Of Three "xi'er" Concert Version

Chinese Vocal Music in the past nearly hundred years, through several generations of vocal music creators and the tireless efforts of performing artists to form a more scientific, systematic and comprehensive practical experience and theoretical system. In the great development of China's National Vocal Music under the premise that China's national opera works of creation and performance forms has undergone enormous changes."The White-Haired Lady" is a classic Chinese opera, early stages of development and has a certain influence of Chinese operas, its creation and the later stage of Chinese opera performances have far-reaching impact. At the same time, this classic opera with the development of national vocal music at different times through different vocal performing artists re-create, interpret, reflect the distinctive character. This will select Kun Wang, Liyuan Peng, Hongfei You three performers were in 1950,2001 and 2009, the concert version of their comparative study. Cultivation from the performers themselves, the social environment and background of the times, further analysis of root causes of this phenomenon generated. Further understanding of the aesthetic trends of national vocal music.At the same time, to sing the text, sound, singing, etc. The development of different clues and further demonstrated by the Chinese Vocal Singing early to refer to the "opera singing" to the main stage of the "Western and build." As the national voice and national opera's development, people's aesthetic concept of this art form and aesthetic needs are growing and improving, from another point of view, it is the people on the growing demand for aesthetic philosophy and aesthetics, thus promoting Vocal Music and National Opera constantly move forward, the two complement each other.