Comparative Research Between Animation And Comic Fan Of China And Japan

Animation and comic Industry is the new field of the world cultural industry, which only spends decades of years to become the economical main strains of some developed countries. Japan is the pioneer and leader of the Asian Animation and comic industry, whose Animation and comic industry export amount is much more than the iron export amount. And all the countries including China take the cultural radiation of the Animation and comic industry of Japan.Since 1990s, the Japanese Animation and comic Industry came to China directly and easily and it also brought China the Chinese animation and comic fan and also started the Animation and comic Industry in the mainland of China. In 1980s the Chinese Animation and comic Industry has been in the peak time of development, but it was fragile facing to the import ones. But the Animation and comic Industry is totally new to China and doesn't have any fan and art base here and it's still in the model of intimating the Japan comic. As a result the Animation and comic Industry develops not very well in China and still in the strong influence in Japanese Animation and comic Industry which is like a monumental work and untouchable.There is only little research on Animation and comic Industry in Chinese academic field and the only research focuses on the contrast between the industrial environment of China and Japan, there is barely research of the audience. And as an outcome of commodity economy, the product of Animation and comic Industry firstly has the character of product, so the research of the audience is very important. This thesis begins with this and designs two questionnaires- Questionnaires on The favors and behavior habit of Chinese animation and comic fan, Questionnaires on The favors and behavior habit of Japanese animation and comic fan, separately investigate Chinese animation and comic fan and Japanese animation and comic fan.In the investigation, there are 100 valid questionnaires in China and 20 in Japan. Based on the data, the author analyzes the differences on the favors in two countries animation and comic fan and hope these can bring some good suggestions for the development of Chinese animation and comic from the desire of audience. There are six chapters in this thesis. The first one is preface which will introduce the research background and content. The second is the animation and comic industry background introduction. The third one is the research on the audience. The fourth is about the Chinese and Japanese animation and comic fan, the fifth is the contrast between the industries of animation and comic in China and Japan, the questionnaires. The last one is the suggestion for the Chinese animation and comic. The conclusion part is the summary and key words of suggestions.