On The Body Language

Dance, kunming, is nearly a decade new classilai dance troupe from suzhou was born.Dance in kunqu opera as the name implies, kunming, derived by the dance art of kunqu opera, training system and work system both in artistic and cultural context of kunqu opera. The dance of the formation of is based on three aspects: inheritance and reconstruction of the kunqu opera figure art; Refining kunqu specific aesthetic characteristics; Draw on the experience of training content and training methods of ballet.According to the approach to the study of linguistics, this paper discusses mainly from the etymology, language form and language use three research, paper corresponding divided into three parts: First: dance history of the etymology of kunming are analyzed, from the "to do" of the kunqu opera, kunqu opera is "sing", director of the individual creation of dance to kunming do last combing and inductive etymology, dance language is how to be refined.In the second place, from Queensland dance composition in the form of training, training content, and kunqu opera body language differences in three aspects, the comprehensive analysis of the training system. This part mainly as follows: a detailed interpretation of kunduz dance training content, comparing kunqu opera training characteristics of body language, it is concluded that differences, and analyzes the reasons of the differences.Third: analysis of kunduz dance works form the commercialisation of rhyme, "corn poppy" language form, function in the use of the characters and the narrative form. To dance in the language of kunduz dance works after detailed analysis, compare the two works of dance, body language and training of language differences and characters and narrative, finally, the dance body language to make a comprehensive analysis, the conclusion. Is still in development, exploration of the dance of the systematic construction, including the existing problems and future development direction and space, make the thinking and suggestion.