The Depth Of Scrutiny And The Intensity Of Criticism

The ugliness narrative, pointing to a multi state in the creation of novels, including the writer of the text form, story expression, narrative tone, artistic language, writing attitude, aesthetic taste and so on. In this paper, the writer Yan Lianke as the research object, based on ugliness narrative as the starting point of the texture of writers and the spirit of literature analysis, the novels of the contents and forms of the inner landscape and the thought value and external vision connected together, ask the special significance of Yan Lianke’s novels in the context of the current literature.The introduction part will make specific explanation and definition on ugliness narrative of Yan Lianke’s novels,Based on the literature review of the creation of Yan Lianke’s novels carding, derived the topic research significance and value. Yan Lianke in the contemporary literary scene, with its repressive look to local Chinese history and reality, in the context of a new era, he took out the ugliness narrative as a narrative strategy.The first chapter discusses the three aspects of ugliness narrative: body, human nature and society. The living environment of residence in the pre modern period, after the transformation of the external forces of modernization, entering the absurd postmodern world, so repressive society will certainly break the bottom line of the beauty. We can see many things about the body, humanity, society’s ugly performance in Yan Lianke’s Novels.The second chapter discusses the narrative elements in ugliness discourse construction. Yan Lianke in the independent attitude of ugliness, breaking the myth of rationalism from the traditional narrative established. In the process of construction in discourse ugliness reflects the author’s efforts to try a variety of narrative elements. As a rhetorical strategy of appreciation of the ugly image, appears in the transcendent world allegory text, extreme narration posture to complete the construction of discourse ugliness.The third chapter discusses the significance and outside space of ugliness narrative. The ugliness narrative as a case of experimental critical philosophy in the field of literature, appeared in Yan Lianke’s Novels. Yan Lianke’s writing process accompanied by the opposition and dismantling of realism, to find the “shenshizhuyi” as his writing path to find the reality. Yan Lianke walk in the contents of the heavy texture and form the vanguard character of poles, squandering the hands of chasing power of the beauty, based on ugliness narrative completed to trauma stern gaze and the reality anxiety and expression, but inevitably prone to historical nihility and the absence of responsibility.Conclusion from the limitations of ugliness narrative leads to novel by Yan Lianke’s art and thought of the value of the dual an outlaw, from another perspective, lead us enter the spiritual world of the writers.