A Study On Anthony O'Neill 's Film Aesthetics

Although generation of film master Michelangelo Antonioni is dead, his soul is still present in the world of contemporary cinema. His sixty years of writing career has brought us many other classic works,although half destroyed, but as a film innovator, Antonioni has been working with the most sharp vision to explore the world. He seldom use language to explain their point of view movies, usually with images to surprise people. He brought an era of innovation is not just the film industry, it is a long stretch of influence. So Antonioni’s films still have research value in today’s society.Since the early Antonioni film follows the creation of a new realism to the pace, and the mid-time and turned to the exploration of one’s inner reality, so in theory all the information at once Angle movies in all their creative style Without a clear and unambiguous definition of the relevant scholars until later defined as "the heart realism", Antonioni’s film style was only conclusion down. Nevertheless, the theoretical study on domestic Antonioni movie majority remain focused on the mirror language and plot their thoughts and style more than a simple exploration. This theoretical study of Antonioni’s film brings some limitations, so I focus on the ideological and theoretical Angle made the movie set forth herein. In this chapter I will Antonioni’s film is divided into three stages, namely the start of the new realism, modernism philosophical inquiry, heart realism established. Wherein the modernist philosophical inquiry this chapter, I focus on the Angle movies existential phenomenological thinking and thinking, this article is an innovation compared to other studies in the literature. Overall, in the ideological section of the study, I made a systematic combing and induction of its ideological and theoretical film clearly shows Antonioni in the film to focus people’s attention.Exploring image style, I focus on the Antonioni on the use of color to highlight the sensitivity. Color is an important element in his films, film studies Angle style, this element is bound to become the focus of this article in the visual explored. Secondly, I Antonioni unique camera work on "after paragraph montage" as a means to measure discussed in detail in the previous literature theory research just be simply summarized. However, in my opinion this is a very personal Antonioni stylized features of the film camera, it is necessary to be analyzed in detail in the style of study.Narrative style of discussions on, I did a system of induction and consolidation in the existing theoretical literature on the basis of demonstrated outstanding performance in the movie Angle narrative. They are replaced by "no circumstances", "anti-traditional dramatic conflict", "no logic suspense" as the center of three important features to analyze. Thus, the narrative styleof Antonioni movie in this paper will be clearer and the system of the show, to make up for the previous literature on this argument fragmentation empty.Compared to domestic films of world cinema, he started late, and because the commercial market-oriented domestic film art gradually entered deformity cycle. After we have done a lot of research on the film classic which is bound to become the textbook theory of domestic films. So Antonioni unique performance in the film aesthetics can give the important domestic films inspired style vase made movies injection ideological soul of the movie too connotation provided in the form of beauty, the film will be made gradually into a new orbit to go, the gap between art and commerce is bound to gradually reduced and then get the perfect praise in the international arena. This achieves the purpose and value of our study classical film theory.