To Be In Sight

This thesis introduces and discusses the Ming Xiao Luan Guqin works "Xing Zhuang Taiyin Addendum", starting from the two aspects of the history of Chinese aesthetics of music and performing aesthetics, starting with Xiao Luan "Xu menSchool" positioning school and the evolution history of, meet spectrum the search and Ming or Ming Dynasty before and after important tablature, between the theory of music. Focuses on how the Guqin music performance through and bring us to aesthetic experience and a unique state of mind, so as to achieve the Xiao Luan said the "at". In summary, music thought of Xiao Luan were investigated. That tradition and creation, ethics and aesthetics, between technology and art of internal relations conclusion. With a view to Cai Zhongde’s "history of Chinese music aesthetics" on Xiao Luan’s research results on the development and inheritance.