In this thesis, the main research discusses the cinematographic tool of blank shot vision and it’s characteristic of existing half in reality, half in fiction. Through comparisons between different images in film, painting and photogra-phy, the stability of blank shot vision’s characteristic dual existence is proved. This thesis, combined with analysis and observation from the perspective of pathology, discusses the connections between "the Real" and "the Fictional" in blank shot vision. This, in turn, points out the differences of how language is applied in the two different viewing systems of pathology and blank shot vision. In conclusion, these features are used in a creative work to show the relationship between "the Fictional" (text) and "the Real"(image) in viewing. |