The Construction Of Cultural Memory In Image

Chinese People’s Anti-Japanese War is never forget the painful and tragic period of history, in order to remember this tragic history, war, history filmmakers put this o nto the screen, forming a cultural memory image of the war. From the perspective of t he analysis of memory after the founding of New China War Films in various stages of the construction of cultural memory. Different times, to characterize the image con veyed out of the cultural memory is also different."Seventeen years" period is the first time, the new China was founded, the ruling party is an urgent need to establish the position in the heart of the people, then the image of the war of resistance in the state ideology in the colour is too strong, filmmakers is the mouthpiece of the national policy, and is hard to avoid in the image to express the will of the state form direct, simple and unified.The period of the Anti-Japanese War culture is controlled by the state ideology, dominated by the official memory.The second period is the early reform and opening up, at this time of the Anti-Japanese War film is the golden period of development, both in thought and technology tend to mature, in the true sense of the film.With the development of economy, the liberal political environment, the creator freedom of thought, began to explore the film side of began to reflect on the war at the same time, reflect on the human nature.Displayed in the form of heavy and not pessimistic, real and uneven.At this time of the Anti-Japanese War culture freely to real, dominated by the elite memory.Is the third time since the 90 s, the further development of reform and opening up, further deepening of market economy, under the drive of marketization, the interest as the first pursuit.At the same time, the emergence of postmodernism, the "god" just build up in the 80 s and deconstruction.So, the period of the Anti-Japanese War is not leading role, more over, no longer be a sporadic fragments scattered in every corner.The Anti-Japanese War culture presents a colour profusion, flowers, the situation of coexistence of pluralistic, dominated by private memory.This article is divided into three parts, the first part is the theory of cultural memory, mainly expounds what is cultural memory, what is the role of cultural memory, cultural memory is how the relationship with the image.The second part namely chapter two, three, four, analyzes the three not period after the founding of our present the images of the war of resistance against Japan, the three different forms of convey different cultural memory and its internal reason is what?The third part namely chapter 5, to compare the Chinese and foreign film of the second world war, find out the gap, to learn its cultural memory in the image is how to construct, and take its director, from the perspective of cultural memory in the future was put forward China’s Anti-Japanese War movie should to reveal the main body of rational thought, communicate the core values of national spirit and national image transmission humanity as the main development direction of thinking, and willing to help.