Li Gonglin 's Inheritance And Development Of Wu Daozi' S Painting Style

Tang and song dynasty are two peaks in the history of Chinese painting, Wu Dao Zi and Li Gong Lin belonging to these two periods, and also plays a major role in leading the development of the Tang and Song portraits of two characters. Wu Dao Zi in the Tang Dynasty, whether political, economic, social, cultural and religious beliefs are . in full peak period, and his "Wu with when the wind" style of painting is a typical representative of this period. Dunhuang mogao grottoes of tang period 103 wat, "Vimalakirti Sutra map" displays the line of Wu Dao Zi painting style. Li Gong Lin in Song Dynasty which is literati painting heyday, the pursuit of a happy affection sattva, transcendent joy and feelings scholar and Li Gong Lins’white painted become an independent form of painting, the typical representative works are "Korimaro Figure scold teach speech. " The same subject, the content of the form in a different line on behalf of the different feelings of Tang and Song dynasty, which in the middle of a transformation process. The purpose of this paper is to Li Gong Lin to Wu Dao Zi style heritage as the breakthrough point, and the North Song Dynasty "Offerings of play teach map" painting style changes and Tang dynasty 103 Cave "Vimalakirti Sutra map" to further reveal Li Gong Lin on the inheritance and development of Wu Dao Zi.This paper is divided into seven parts to elaborate. In Li Gong Lin for Wu Dao Zi portrait heritage as the theoretical basis, trying to from Wu Dao Zi, Li Gong Lin which period of Tang 103 Cave "Vimalakirti Sutra map" and the Song Dynasty "Offerings play teach map", analyzes in the specific historical environment, schema style, cultural connotation and significance of Li Gong Lin on the inheritance and development of Wu Dao Zi drawing style.The first part:Introduction. Briefly discuses the significance of this study, the current research and methods described in the research department of the process employed.The second part:Overview of the impact of historical and cultural background of the Tang and Song painting, this chapter of the Tang Dynasty Taoism impact of court painting and painting religious subjects prevailed, the influence of the Song Dynasty Buddhism and the aesthetic orientation painting of the weight method is analyzed.The third part:In this paper, painting ideas describes the impact of changes in the Tang and Song painting style, were placed on the outside of the Tang Dynasty and Song restrained and objective to the subjective, drawing shapes and paint strokes Kampf interesting changes.The fourth part:About Wu Dao Zi relate to time and Li Gong Lin style of painting and theirs characteristics of exploration.The fifth part:Briefly discusses the historical origins of the Tang and Song Offerings draw.The sixth part:About 103 caves Tang comparison screen content of "Vimalakirti Sutra map" and the Song Dynasty "Offerings play teach map" respectively change the style of line drawing and the reasons discussed, trying to explore Li Gong Lin on the inheritance and development of Wu Dao Zi character style.The seventh part:Summary of elaboration.