The Influence Of Qi Baishi 's Trip To Xi'an On Painting Style In 1902

Qi Baishi is one of the greatest painters of the 20th century China, he was originally a carpenter, but later in his own efforts to become a great artist, he used the most commonplace subjects created a miracle of art. When he was a child, Qi Baishi’s family is very poor, and his body is not very well. Since then he has his own efforts and intelligence from an ordinary carpenter to become a painter, and with the help of the teacher Hu Qinyuan and many friends improve their self-cultivation, to become a painter is culture quality. When he was 40 years old, Qi Baishi accepted the invitation of his good friend Xia Wuyi and went to Xi’an to teach Xi’s wife Yao Wushuang learning Chinese traditional painting, later on, he follow the Xias to Beijing. But during this time, which is not as long as one year, Qi Baishi traveled to the Museum of Forest of Stone Tablets in Xi’an, Great Wild Goose Pagoda, Huaqing Pool and other scenic sites, and met the famous poet Fan Fanshan, enjoyed the numerous ancient painting artworks. At the same times, Qi Baishi learned many Chinese ancient tablet inscriptions of the Northern Dynasties with the helps of Li Yun’an.For the first time to leave Hunan to the northern region, Qi Baishi’s life experience and the theory of art essence is further enriched by the natural scenery and the humanities style along the way. Therefore, the Xi ’an trip in 1902 which as the first time out of Hunan area in Qi Baishi’s lives is conductive to enlarge his horizon, knowledge, artistic experience, and enhance his calligraphy art conception change. However, what is more important is that this experience laid the foundation to Baishi’s "Shuai Nian Bian Fa".This article first chapter is introduction, mainly discusses the Qi Baishi 1902 trip to xi’an to the research significance of the influence of the painting style, will help us better understand qi baishi journey for the first time. The second chapter mainly combined with background of qi baishi’s life, for a brief overview of the trip to xi ’an in 1902, and analyzes the incentive trip to xi ’an. The third chapter mainly discusses qi baishi 1902 trip to xi ’an on its style of painting, from the book before and after the trip to xi ’an wind, painting style and artistic conception were analyzed, such as gradually by exquisitely all the way to the wind of freehand brushwork. The fourth chapter mainly discusses the shaanxi normal university library collection punishment ACTS brick rubbings and qi baishi early book the origin of the wind, forthright, artistically the proposed psychic, like beauty in the picture.