| In the wave of mythologies retelling, A LAi inherits the excellent tradition of epic with great respect to the natural cultue, satisfying the expectations of the readers to the time hornored epic and the Tibetan culture, insead of oversetting the traditional culture. By rearranging the clues, he makes a comparation between the tradition and the current situation and explore the eternal subject of humanity, setting an aesthetic gap and making the literature become glamourous in an unique way. Basing on the traditional culture, A Lai explain "The Epic of King Gesar" by modernized way of narration to explore the true meaning of mythic retelling and the efficient route of transmission of minority culture.The essay includs the introduction, the subject which includs four parts and the co nclusion:First it talks about the backgrounds, the research state and the goal and significance of the theme. In the research of the backgrounds, three aspects are involved. The first o ne is to give a brief discription to the main content and the spreading status of the Tibeta n literature "The Epic of King Gesar". The second one is to sketch the development stat us of "myth retelling". The third one is to introduce A Lai the writer and the retelling my th "The Epic of King Gesar".The first chapter discusses the creating motivation and themeof the the Biography of King Gesar.The novel created by A Lai is a re-creation after brewing and interpretation of epic,a contemporary description of loy after the new brewing ofepic and interpretation of re-creation, covers all aspects ofthe national culture, with the intense sense of history and cultural sense. What’s more valuable, it also contains the current status of the development of national traditional culture connotation and reviewing which supported by the contemporary intellectuals, including the author A Lai. The creative motivation of the novel,mainly manifested in two aspects:firstly, hailing to the national culture; Secondly,reading the eyes of the Tibetan people. The interpretation of the theme mainly manifested iri two aspects. The first one is a new interpretation of heroes and the human nature, the new interpretation of hero in the eyes of ordinary people and then comes out the rational call of the human nature.The second one is it’s a reflection on Tibetan culture and identity, pursuit of self-consciousness.The second chapter is simply analysis a new experience about novel aesthetic. It produces the aesthetic beauty through time and space distance. There is no doubt that it’s a highlight point in this novel. The further development of prototype, a sequence of alternative transformation in space and time, and the change in narrative view. All of them are regarded as a new manifestation in the unusual experience. The time expression and the space writing, the freedom walking between earth and heaven, we can recognize the heaviness though behind the poetic.The third chapter is to analyze the art in the novel. It mainly includes a radical reshaping of the narrative strategy and the character image. The narrative strategy is mainly from the storyline, narrative analysis, narrative structure and language expression. The chapter is mainly discussed about polyphonic narration, magic and poetic language. Under the direction of "gods humanization, mortal mythology", some kinds of characters have taken different changes. Especially the rapper:JinMei joins the part, it leads to a further development in cultural implication. What’s more, it not only brings a deeper level in romance novel, but also injects more intrinsic quality.Chapter 4:A research about the culture value of restatement novel.On the background of self-salvation and rescue from others, Tibetan hold a firm attitude towards ethnic culture.Then it stretches to the background of culture communication.Now emerging medium are rising in a row and ethnic culture are faced with breaking out and rebirthIn the end,the way of future development of ethnic culture, choosing or compromising between classic and secular,is placed nice hope. |