On The Aesthetic Reflexivity Of Painting

Evolution of the art style, has a unique phenomenon of a specific: in the next generation of Art in the face of the creator he faced in traditional, habitually difference. The next generation of human intention to avoid the artistic effect of human has mastered a generation, a generation to seek a generation failed to show effect of art. This paper attempts to explore a specific phenomenon that hides behind thecreators of the unique art Operation position, aesthetic concepts and sources. The connotation of aesthetic reflexivity to the art history of the development of Art The two kind of situation faced by traditional digestion and assimilation or face, or re construction, to find their own the unique, to build their own future. All this needs to return to inside, make full use ofaesthetic reflexivity. In the grasp of the intrinsic problem, first proposed the intrinsic / beyond the connotation ofphenomenology believes that all that is within General characteristic of epistemology, to return to the range of experience to buildawareness to grasp the inherent uncertainty ",That is to grasp the essence of all styles "intuition and inner experience". Pointed out that the truth of art is art the inner truth, is the spirit of art in the sense of the real. How to make use of aestheticreflexivity in return In the future, to find their own problems, the creators of painting can rely on their ownexperience in the day after tomorrow. Sleep under the guidance of the aesthetic judgment, the subjectivity of the breakthrough, find the rules, to meet their own painting Concept requirements. How to grasp the painting aesthetic reflexivity, build regression withininner world of real art The problem with the example of the artist.