Contemporary Chinese And Western Art Exchange For 30 Years

In retrospect of the history of art exchange between China and the western missionaries in the late Qing Dynasty, from Chinese prompted oil painting in the China propagation, a preliminary exploration of the western art exchange and then to the period of the Republic of China a large number of overseas artists after returning. These active in the exchange of artists in the history of the political background, objective conditions for the spread of different age. Art in the new historical period is not simply rely on the transportation development and broaden access, also do not need to make a number of artists to study abroad to learn western art. At the end of twentieth Century, to enter in twenty-first Century, is an objective historical conditions make communication easier and efficient, so it is difficult for us to grasp the dissemination of information more difficult moments, all recorded to analysis. But this kind of specialized information itself has a development, the exchange of communication, the information itself slowly together. Also emerge as the times require a number of special events in the art of "man in the middle".This period of time after 85, a large number of students returning to their artists, Dadaism, pop art, installation art and Western point of view as a template, misappropriation of the new German Expressionism, surrealism, Fluxus, photography, new media art and painting art language, or Chinese traditional art based on the practice of self transcendence. These are now having a great reputation in the art practice of the artists at the same time, the objective of contemporary Chinese and foreign art communication plays a very important role. The most important of these joints in the individual artist is art communication, began to study, in order to fundamentally grasp a period of art history. But the exchange process complex, full of randomness and fuzziness. With respect to the individual is complex and changeable, as the events become more clues and logic level. In the history of Western art exchange exhibition, communication is the exchange of evidence the evidence. And around these exhibitions and art activities have curators, activist is another perspective of witness in Western art exchange, they are also actively contributed to the exchange. For example, described in the West as "the godfather of contemporary art Chinese" art critic Li Xianting, with several important art exhibitions of his dominant as evidence propagation process, sort out to several exhibitions of art, at the same time, according to the time sequence inserted into the participating artists, and an example is given to illustrate the works of the artists themselves analysis of the historical value, from the image, thought, view. In addition, because Li Xianting in public opinion battlefield ("art" magazine) special status, he spread in contemporary art, for the Western views of the introduction of Chinese and Chinese artists introduced it to the west, Japan has played an important role.In the research method, this article will use the history of art form, combined with image analysis and other research methods, combined with the new development of the contemporary literature, to explore thirty years of Chinese and foreign art exchange...