A Study On The Film Transformation Of Director

As an artist born director Huo Jianqi, although not as good as Zhang Yimou, Chen Kaigeand other contemporary director extraordinary achievements, but his films are always able inthe domestic and international film festival awards, and his works often reflect the distinctivestyle. As the fifth generation director, a member, with the other fifth-generation directors, asin the era of the Chinese film market continues to change, they are faced with the dilemma ofcreative transformation.Previous studies director Huo Jianqi articles, often based on Huo Jianqi director ofseveral early works of high artistic achievement as "Postmen in the Mountains","warm" andother chip analysis or systems analysis, and the focus of poetic Huo Jianqi image styleinterpretation, so Huo Jianqi movie system, as a whole in the current academic research ismissing. Therefore, the author in this paper from the first film directed by Huo Jianqi"winners" to its recent latest work,"Xiao Hong" overall sort, from the transformation of theangle, conducted its transition process, transition reason, a more systematic evaluation oftransition It combs, relatively objective and rational grasp dilemmas and creative director HuoJianqi limitations in order to better determine the status of the Chinese director Huo Jianqimovie history combing through this.The first chapter is mainly on the transformation of the context of the film director HuoJianqi sort, summed films director Huo Jianqi before the transition with a strong poetic style,single narrative, lyrical greater than narrative features, while in the transition director HuoJianqi films pay attention to the depth of the excavation narrative, poetic style relatively flat,the narrative is more important than lyrical. Through these changes, the former director HuoJianqi movie movie text transformation and analyzed after the transition, from the subject,narrative strategy and image analyzes transition style movie director Huo Jianqi.The second chapter analyzes the causes of the movie director Huo Jianqi transformation.In terms of objective reasons, the film’s director Huo Jianqi transition is forced to change thebackground and the social and cultural context-the market economy, the mainstreamideology director Huo Jianqi make final changes to fit with the mainstream ideology of theroad. In terms of subjective reasons, Huo Jianqi unique character qualities, aesthetic fit withChinese tradition and attention to the creation of the concept of self-transcendence and somakes his creations exhibit unique temperament, affect his creative transformation.The third chapter is a movie director Huo Jianqi transition to evaluate the pros and cons. In terms of "get", I believe that the director Huo Jianqi innovative spirit, the courage to breakthrough the self, as the market changes and will adjust their creative direction, but notcompletely lose yourself; director Huo Jianqi good at absorbing nutrients from the literature,and Su Wei Husband and wife were film-making, so as to achieve a positive interactionbetween adaptation and film-making literature, so that the film produced extraordinary artisticcharm. In terms of "lost", I believe, a movie director Huo Jianqi full of romantic atmosphere,but because of his pursuit to create a mood of great aesthetic effect, so the characters aresomewhat compared with the reality of perfection, but also makes the movie character’spersonality seems thin and one-sided, ideological depth greatly reduced; under the influenceof commercial wave, the creative director Huo Jianqi, while having "film conscious" that is,"the audience awareness" in the film-making closer to the audience tried, However, due to thedirector bones have "elite consciousness" and bias and aesthetic needs of the audience tounderstand, difficult to make the movie with an audience; the influence of socialtransformation of the commercial tide, Huo Jianqi in confusion and perplexity, which also ledto his Film has been between artistic, commercial and ideology wavering with, so after thetransition film he can not de facto pure art films, not commercial films are kitsch, Huo Jianqiin this "not" gradually lost their position, resulting in its failure to work after the transition toachieve the desired ideological and artistic level.The results pointed out that despite the conclusion director Huo Jianqi bloated transitionfor creation, transformation unsatisfactory. However, Huo Jianqi innovative filmmakingconcept, whether it is the performance of the mainstream movie content and narrative strategy,mainstream film characterization or image language mainstream film, have provided a goodreference. This exploration on mainstream film art itself, the art of stitching, the marketawareness of the concept of the three mainstream films produced with real cracks. So, try itfor transformation, it is worth promoting.