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On The Formation Of Personal Style In The Study Of Chinese And Chinese Freehand Flower - And - Bird Paintings

Posted on:2016-04-05Degree:MasterType:Thesis
Country:ChinaCandidate:F X ZhaiFull Text:PDF
GTID:2175330470471697Subject:Art
Abstract/Summary:PDF Full Text Request
Content:Painting is a subjective form of human language to express the spirit of existence, is a substance with a certain media to express the human spirit and memory of an art of thinking activity. Chinese freehand bird weathered wash after the millennium, the ultimate mood with its unique style and become an important painting, loved by the majority of the people. The body of a painting style is like a spiritual symbol, Marx phrase "style is man." That is a painting embodies the personal style in his works. Style formation as wine brewing time of need, is the result of long years of precipitation eventually melt flowing in the body of the pen art. Painting style of painting from a person who emulate inheritance, life experience, personality and temperament, culture heritage, aesthetic taste, social and historical conditions and other factors. Speaking style was inseparable style. The standard by taking the essence of discarded dross, establish the correct aesthetic sense, raise the level of awareness of beauty, for large freehand bird study and grasp the creative direction has a huge impact. China wants to draw a good picture, the first thing to do is to learn traditional. The development of any art form, has its inheritance not appear out of thin air. It is because of constantly imitating traditional, stick Guweijinyong to constantly sum up and innovation.
Keywords/Search Tags:style, Apprentice, Tradition, Accomplishment
PDF Full Text Request
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