| The word "drama" is derived from the Song Yuanshi Liu Xun(1240-1319), the knot village draft of the ci with chapter wu biography, he put forward "to the salty chun, always fine opera", "always fine opera", he said is what posterity call "dynasties", "operas", "always fine drama". The word "drama" first appeared in the tang dynasty tu mu’s poem "the xijiang meditate on the past," poetry has "wei em peror joint capsule is drama, Fu Jian civic more absurd", tu mu cited "wei emperor joint capsule" and "Fu Jian dire maul" two allusions lend "true drama" and "more ridiculous" two corresponding word irony wei emperor cao cao and former qin Fu Jian, including "drama" is child’s play, the game mean reckless. Recently, the drama you Mr Wang guowei after repeated examination and summarizing of the system, and to get the "opera" used as a general term for Chinese traditional drama culture.Opera is China’s traditional culture, is a traditional Chinese drama, and compared with the western drama, opera, ballet, drama, musicals, Chinese opera has a program, virtual, integrated the three characteristics. In addition to the three aesthetic characteristics of drama art, Chinese opera has the characteristics of diversity, this is determined by the Chinese national culture and regional, this leads to, a lot of Chinese operas flourishing vary between ethnic groups, there are different between regions. From the perspective of national culture is divided into: Tibetan Tibetan opera, the Mongolian Mongolian opera, miao Miao Ju, dai Dai Ju, zhuang zhuang opera, uygur uygur drama, and so on. From the perspective of regional and can be divided into: shanxi Jin Ju, henan opera has been innovating in henan, and anhui huangmei opera, hebei Ping Ju, zhejiang shaoxing opera, jiju, Long Jiangju, cantonese opera, Gui Ju, Qian Ju, yunnan opera and so on, and affected by the regional and national culture and more niche puzhou opera of Shanxi Province, wild goose, take bangzi, Er Ren Tai, tea-picking drama, liyuan opera, shadow play, gaojia opera, Gan Ju, Shao Ju and so on. Because of the complexity of the nation and region, opera performances, singing tune, performing stage are different styles, plus the long-term ethnic fusion, opera performances, also learn from each other on art aesthetic features fusion, thus forming a wide variety of opera performances, today.I had the opportunity to contact guangxi Cai Diao play, by a lot of view to explore, discover Cai Diao nationality and regionality fusion cha racteristic, its aesthetic characteristics with different northern Chinese operas flourishing, guangxi Cai Diao drama derived from hunan opera, belong to lanterns system, and shanxi Jin Ju belongs to Beijing Opera system, compare the two belong to the category of drama is studied. Text analysis method is adopted in this paper, the case study method combining the theory of system of drama, the script text collect two kinds of different types and related literature, in typical dramas, for example a contrast between the two, through the formation and development of Cai Diao and Jin Ju Cai Diao and Jin Ju phonological features, Cai Diao and Jin Ju characteristics of the play, Cai Diao and characteristics and Cai Diao Jin Ju scripts and Jin Ju director and the stage of comparative analysis, clear distinctive aesthetic features of two different types of inheritance and innovation to explore Chinese operas flourishing. |
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