The Spiritual Crisis In Daily Life

Liu Zhenyun become famous in “New Realism”, and matured in the new century. Even won the Mao Dun Literature with “a top ten thousand” in 2009. Liu Zhenyun, as an influential writer in contemporary, has always been concerned about the social life of the moment with his own thought. Much differences are the existing master’s thesis research horizons confined to the artistic nature and thematic implication of the text of Liu Zhenyun, while are paid little attention to Liu Zhenyun pen humanism ecological predicament. This article attempts to cut from the spiritual crisis of perspective in everyday life, and attempts to regard the new realistic period of Liu Zhenyun’s works as a former history of writer’s writing spiritual crisis, thus contemplate the transition strategies between Liu Zhenyun new realism and two periods of the new century to the writing spiritual crisis and analyzes the plight of the progressive spirit relationship about spiritual predicament in the creation of the new century’s the layers of four novels. The last simple analysis is the pros and cons of actively interaction with mass media and him. Based on the above research, the paper is divided into three parts:Origin of the historical background of the first chapter of the late spiritual crisis needs to refer to the picture of the history of the 1980s’ and 1990s’ contemplation consumerism tide merchandise before and after high tide. In the period of spiritual emptiness after the fall of political tide, new realist writers strive to avoid subjective feelings by the way of paying no attention to this spiritual foundation of everyday life. After the new realism literary trends tend to subside. Liu Zhenyun positively changes the spiritual crisis writing strategy in the new century creation, and emphasize the individual’s salvation. The Section III as a transition connect the focus on the daily life of spiritual crisis from the new realism to the new century.In chapter II, as a key chapter using linear time as a clue and according to the time order of publication, links the four respective works of Liu Zhenyun in new century for text analysis. From crisis of confidence which is after the gradually losing of ethics to questioning the lack of sense of self-identity crisis. At the meantime, to move on lonely without recognizing in the friends losing and self indifference relationship, until it’s so hard to regain their dignity in the losing of enjoyment of life and crashing of belief of reason. The writing characteristics of his spiritual crisis are of progressive layers and thought-provoking.In chapter III, to further question and examine spiritual crisis, the paper concerns on the returning of the existential status of the individual writing, as well as using the film and television literary strategy to reconstruct and extend the existing form of literature in the new century novel of Liu Zhenyun. Finally, discussing the significance and limitations of Liu Zhenyun’s spiritual crisis, come to the conclusion that the spiritual crisis cannot yet come to the end.