A Study On The Decorative And Protection Of Painting And Calligraphy In The Qing Dynasty

"The Record for Chinese painting and calligraphy mount of Shanyan Suxin Studio (shanyan suxin lu)"is the Qing Dynasty scholar Zhou Erxue based on practical experience writing on a painting and decorating monograph, which dealt with the ten Articles, including paintings decorating several techniques, the shaped product type and material selection, and exhibition to play calligraphy form and artifacts choice of, to be recognized as classics of ancient Chinese calligraphy and painting and decorating. The author "shanyan suxin lu" book’s title, the intention is not merely to record framed rules and procedures, more importantly, to let people understand truly elegant protection painting and calligraphy. Descendants often "shanyan suxin lu" as a study of the Qing Dynasty folk paintings decorating classic could be applied, but the research was restricted to article interpretation decorating techniques, rare ancients decoration materials as well as the style and artistic characteristics analysis, less involved with the the aesthetic concept embodied in the decoration theory. This paper attempts to Chinese classical literature research methods to analyze decoration Chinese literati thought leading role as the starting point, combined with the analysis of historical data the authors write "The Record for Chinese painting and calligraphy mount of Shanyan Suxin Studio(shanyan suxin lu)" background of the times, according to the original content will be decorated with the protection was split into two parts, step by step to clarify the various decoration and protection of calligraphy and painting materials and appliances mentioned in the original, and explore its artistic style which reflects the literati concept to analyze the summary of the author’s aesthetic ideas in painting and calligraphy and decoration and protection played an important role. Designed to enrich the "shanyan suxin lu" recorded text, and then be beneficial to the further study of the art of ancient Chinese calligraphy and painting and decorating, but also for the inheritance and development of framed paintings and cultural heritage provide a bit of reference.