A Comparative Study On The Landscape Painting Of The Green And The Landscape Painting

The ancients called painting" painters ", early is give priority to in order to "color" of Chinese painting, landscape painting, too.A landscape painting is the sui dynasty of China’s earliest existing ZhanZiiqian green landscape "YouChun figure".Green landscape painting have been dominant in the tang and song dynasties, and after the song dynasty and yuan dynasty, due to the rise of literati paintings, advocate the freehand brushwork in traditional Chinese painting with ink painting landscape painting of mountains and rivers gradually become the mainstream of Chinese painting.Landscape painting since the tang dynasty, wang wei, to the song and yuan.Especially in the late Ming dynasty advocated "north-south" theory, dong qichang reviled south north part, after three hundred years, the main features of the painting. With the development of ink painting landscape, green landscape is neglected and ignored.A reassignment to the folk and even the "color" in the qing dynasty, green landscape scenery almost submerged and ink landscape is semi abstract program as a special language.Philosophical basis of the different makes the difference between green landscape painting and landscape painting.The philosophical foundation of green landscape painting mainly is the traditional five color theory, Confucianism and Buddhism have, this theoretical system is a "color", it decided the green landscape painting the face of heavy variety and rich decorative aesthetic characteristics;Landscape painting philosophy foundation is mainly zhuang zi’s Taoism, metaphysics and zen, this theoretical system is a "no color", it decided to the landscape painting attaches great importance to the black and white, advocating Jane a pale ethereal aesthetic artistic conception.Of literati painting intervention makes the aesthetic tendency of landscape painting change.Literati painters advocate "to show" on painting, the pursuit of pen and ink interest, freehand brushwork in traditional Chinese lyric, not heavy like, advocating "escape", despise the color and so on, outside the painting exquisite character, knowledge, talent and so on makes the literary painting, landscape painting gradually into the mainstream, the green landscape painting is the cold, in the form of small green by a few painters inherited.If under the environment of traditional Chinese cultural identity is a traditional Chinese painting has long been the formation of aesthetic value system for the center with pen and ink is to make the root cause of the green landscape of favor, then into the20th century, especially after the eighty s, as China’s social politics, economy, culture and people’s living environment, the great changes of aesthetic idea. Traditional literati paintings of unify the whole country has ceased to exist, the modern landscape painting in form, content, technique innovation and to seek, to break the situation of traditional ink painting landscape method shows a tendency of diversification.