On The Idea And Practice Of Evans' Documentary Creation

Evans insists creative documentaries sixty years. And he insisted on using the film to show his worldview and beliefs. Although Evans is committed to the creation of a lifetime record movies, but most of the audience can not understand the true meaning of its films. Throughout his assessment is mixed. The film industry in recognition of his "movie Poet" identity, for subsequent development mixed. Evans recorded during the film-making is also a movie about Evans aesthetic concepts of development. In1989, Evans filming ended. But the study by Evans movie should have matured. Evans is now Iraq to explore the deeper aesthetic concepts are not common, particularly the lack of theoretical research. Research creative ideas exist unusual role. In this paper, theoretical and empirical analysis of the specific combination of theoretical studies and strive to avoid simple.The authors have previously studied the works of the people of Iraq Evans, and study concludes style and unique expression Evans changing the movie, summed Evans creative motivation and creative purposes. By Joris· Ivans journey of life and the creative process of carding, drawing on previous methods can be divided into four phases:1920s, movie pioneer stage;1940s,"left-wing" movie stages;601970s,"direct cinema" stage;1980s, surrealism stage. Select each period typically works, summed feature story structure and techniques of each period, and in other contemporary director for horizontal comparison to highlight the uniqueness of their films.Article is divided into four main parts, the first part describes the environment for the growth of Evans analyzes the film "The Bridge" and "Rain", come to "pioneer poet" comes from. The second part of the identity of Iraq Evans were defined, namely "social propagandists" differences and "movie Warrior", analysis and contemporary director Flaherty, Vertov, Grierson similarities and differences, resolve the movie "Borinage" and "The400Million". The third part explains the relationship between Evans and China through a detailed interpretation of the "Shanghai third medical store" and "Ball of the story." the analysis of the film "Foolish Old Man" character, comparing "Foolish Old Man" and Antonioni’s "China" shooting background and intention, practices and perspectives, shooting skills and influence. The fourth part through the interpretation of the movie "The wind of the story," the plot and intention to analyze changes in their creative ideas.Articles by analyzing different times in a typical work the following conclusions: the life and creative documentary film Evans are constantly confirms his unique documentary film concept, namely record filmmakers have "reconstructed" by photographer and power events, he believes the truth is more important than the feeling of authenticity observation and display. This view identity rationality "paraded" at this point in the history of documentary film occupies an important position, and until today still affect subsequent creative concept record filmmakers. Evans lives in the pursuit of spiritual truth and the unity of the true appearance, the use of imaging performance records of the mind and their feelings, and using popular language in different times, looking for the most powerful expression, this feeling will be communicated to the audience.