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On Su Manshu 's Tragic Consciousness And His Novel Creation

Posted on:2015-11-21Degree:MasterType:Thesis
Country:ChinaCandidate:D D WuFull Text:PDF
GTID:2175330431999877Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Su Manshu’s literary creation is the highest reputation in a new era. This paper from the tragic consciousness of this aesthetic perspective to analyze the aesthetic view of tragedy in his novels, and profoundly and comprehensively analysis his heart "fear", from the following three aspects carries on the analysis.The first part:The western tragedy consciousness and the related category of form in the Western cultural environment consciousness of tragedy have unique regional characteristics, Then clarify the since ancient times in China and Western countries on the definition of tragedy. Then, under transformation of foreign culture, to analysis the majority of scholars accept the foreign invasion in the psychology of tragedy to make them realize that the transitional of aesthetic self in domestic, after the Western cultural invasion; Finally, with the background of the age, growth environment to provide a comprehensive analysis of causes of his tragic consciousness.The second part:Mainly discusses the influence of his novel tragedy writing under the Chinese and Western culture. This part from two aspects:The first to analysis the half of the semidiurnal of Japanese identity and to analysis the acceptance of Japanese culture.It is the Min of sorrow. Su Manshu will be Japan’s sorrow culture into their Chinese traditional culture, combined with his own life experience, margin of sorrow, to exhibit a strong sense of tragedy; The second aspects,Combining of cultural thoughts in modern Chinese:the women’s liberation movement, the love triangle pattern, the Buddhist thought.These three aspects to reflect the acceptance of the new concept taxi people facing the cultural embarrassment and confusion in the transition period.Showing the tragedy of cognition to his unique.The third part:Mainly, it is divided into three levels to discusses the tragedy consciousness of his novels,. One is the tragic theme of his novels.Love is the desire of Su Man shu. But in the face of love, he exhibited at a loss of contradictions and the tangled psychology. The longing for love and flee love.At the last, he lead love ghost way, ending in tragedy. The house’s misfortune and social unrest make him strange character, life of no fixed abode, deepened his life tragedy. Two is that he created man and woman of personality tragedy, They are eager to love,.But the face of implementation, Males with the fragile, sensitive, narcissism, In the face of love, the females hesitate to love eventually make it burst. Women’s beauty, bold, persistent. They dare to pursue happiness, but still can not change to overthrow the old traditional life. Interpretation of the tragedy of the times a curtain. Three is the aesthetic style of romantic lyric under very touching, Whether it is the description of the scenery, or the inner world of human beings. It is the fresh brushwork. The narrative let Su Manshu’s fiction presents another aesthetic sentiment.
Keywords/Search Tags:Su Manshu, Tragedy consciousness, Culture theme of tragedy, Aesthetic style
PDF Full Text Request
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