1945-1949: Study On The Art Environment Of Chinese Photographic Image Production

Under the social background of the special times, its cultural atmosphere and artistic accomplishment, material base, talent structure and the technical conditions constitute the image production field of this era. Photography is a western technology, it was invented in the middle of the19th century, at a time when China is in the midst of the war of one hundred, not only in terms of its technological progress, no gong has presented and at the application level is totally depended on western industrial power.In terms of artistic culture, the western theory of image art is quite perfect. Photography creation from the documentary photography and painting photography two lines, it experienced the naturalistic photography, photography of pure broken pie, new realism, as pies photography, painting, photography, photography of impressionism and symbolism, abstract photography and so on surrealism art form, photography has established a relatively complete theoretical system and writing techniques. But before and after1945, the Chinese theory is someone involved in image, but little response. Only Mr Photoiournalist in the photography and the combination of Chinese painting theory get general recognition of the world photography art practice.In terms of material foundation, before the victory of the war, almost no own image industry in China, after the victory of the war, while in Tianjin and Chongqing industry began to appear such as the national image in a few areas, producing photographic materials, but the low production capacity, output, failed to form a fixed production scale and cannot meet domestic demand, on the other photographic equipment of the production is totally dependent on foreign imports. In such a poor material conditions, coupled with soaring prices, the vast majority of the people standing on the above, and drastically limit the image creation popularized to a wide range of groups, film personnel is very rare, photography as a small group of patents, the category of the resulting image creation is news photography, more rare art photography.In terms of talent structure, beginning to master Chinese photography, a part is the study abroad is given priority to; a part is worshipped in China foreign photographer for the teacher, so teacher and pupil, and gradually into the school education. Actually, before and after1945, real personnel engaged in image creation in different region, its study background difference is bigger, such as the liberated areas of photography work started in the red army, rely mainly on early revolution with overseas learning experience of senior generals, while the late Sha Fei, Wu Yinxian etc, under the guidance of people through the photography training course form, gradually expand the work for photography team, it should be said that this kind of training is often in the photography technology as the main target, basic theory seldom involved. While influenced the most talent have formal photo study background, the basic theory and related technology have certain mastery.Photographic image is the material representation of visual perception. The meaning of the images from the processes of production and exchange of images, it exists in the production and interpretation of images of people continuously, the meaning or clear or fuzzy, or known or from the consciousness. In general, the photographic image is manufactured in three fields:the production field, transmission field and form fields. Image rendering and production closely linked to image production domain environment; Image production technology determines the image form, meaning and effect; Image composition of the form is restricted by the technology of image production, can behave in a special form of a set of specific things or particular scenario, thus producing a kind of special significance. So the photographic image production environment has a vital role, this paper will take the production field environment to point to discuss image of China from1945to1949.Through literature research, content analysis, case study research method, I combed China photography image information data from1945to1949. Through the historical data of the comb to explore the cultural background of the era and the influence of production technology of photography theory and practice, and try to support outstanding works of interpretation of the typical age culture and production technology conditions on the influence of image creation, the key is to reflect and confirm the image feature in this era. Photographic images are analyzed in detail the period production technology and related photography art thoughts, and through to the Wu Yinxian, Shi Shaohua, Feng Wengang, Zhou Haiying illustrates the classics of historical figures, such as the Chinese image production environment. So far, there is no domestic for this period China’s photographic image creation environment to conduct a comprehensive study, the results fill sexual significance of cultural history for a full analysis Chinese photographic image. Review and summary of history, is not a simple generalization for history itself to make, but taking history as a mirror. Through the image and the image of cultural development context, grasping the law of cultural development of photographic image, the photographic image creation provides its dialectical way in the future.