| As a rising star of the poetry retro movement in Ming Dynasty,Wang Shimao’s poetic not only inherited his predecessors,but also struck out a new line for himself,it played the role linking the preceding and the following during the Ming and Qing dynasties.In this paper,Wang Shimao’s poetic philosophy will be seem as the main object of study,and The Poetry of Wang Fengchang (《王奉常集》)ã€Yipuxieyu (《艺圃撷余》) will also become the main research text.The author try to study the evolution of Wang Shimao’s Poetics in the dual intertexture of the social thoughts in the late Ming Dynasty and the mental attitude,then fix a position under the coordinates of the times.This paper is divided into five chapters.The first chapter focuses on the the textual research of Wang Shimao’s life biographical sketch and the communication with the poets of reversionary wing,explores the poetics effect on the parties.The second chapter mainly analyzes Wang Shimao’s early mentality trajectory which starts from his early poetics and the creation tendency.Although Wang Shimao had followed Li Panlong’s restoring poerty in his early years,but restricted by the inherent tradition of Wu area.there are still many vacuum in his poetics.The third chapter divided Wang Shimao’s poetry theory into two periods by the mark of hold a post in Jiangxi.and analyzes several mentality in his laster years,such as tired of career and respected for the Buddhism and Taoism.On this foundation,the author reseaches on the transformation about the accepted mentality of Yipuxieyu (《艺圃撷余》) in the era of the Ming and Qing Dynasties from the social psychology.The fourth chapter is the priority among priorities.the author divided the poetics of Wang Shimao’s later years into three sections which related closely,striving to integrate his fragmented views and review with a systematic view.The last chapter aims at two main problems in academic circles at present that has been argued for a long time and remain unresolved,such as appeared united outwardly but divided at heart with disposition theory (性çµè¯´) and similar with the aesthetic taste of romantic charm theory (神韵说).On the basis of comparison,the author try to get a new understanding of the value of its poetics. |