A Study Of Chen Dong 's Traditional Operas And Dramatic Theory

As a writer of opera in Qian Jia period of Qing Dynasty, in his short career。 Chen Dong created the three drama "Zhuluo dream"," ZiGu God" and "Weiyang dream", is to express their love through music, rough life experience, and his drama theory "LunQuShierZe", further innovation on the base of summarizing the previous argument。 In this paper, Chen Dong’s drama creation and the drama theory as the main research object, based on the study of Chen Dong combined with the former, in the Qing Dynasty’s political, cultural background, combined with Chen Dong’s life experience, to examine and Study on his opera works, comparing his opera theory and the theory of the former generation of scholars for, to make an objective evaluation on him。The introduction part briefly reviews the previous studies on Chen Dong’s works and the evaluation of its theory。 The first chapter in Chen Dong’s "BeiJingCaoTangJi" as the reference, on Chen Dong’s life experience, he briefly textual research, and on this basis, analysis of his opera creation and mentality。 The second chapter analyzes Chendong’s three dynasty, the textual research of the skill, and mining the play is rich and profound connotations, artistic style and the analysis of its characteristic。The third chapter analyzes Chen Dong’s opera theory, mainly discusses his " LunQuShierZe", seeking any source theory, and makes a brief comparison with previous such as Li Yu etc; at the same time, will also affect the Chen Dong curve theory are briefly introduced, highlighted in his drama theory history important position。This paper is carding Chen Dong historical data, research of the opera, opera theory, a systematic。Chen Dong made a contribution to the Qing Dynasty as Qiangnumoshi, should be given enough attention and fully affirmed。...