No More Women In The Mirror

In modern times, with the creative environment gradually relaxed and people pay moreattention to art, China has been the rapid development of the art of painting, Where women’s artgradually rise, and began to have a pivotal role in the entire history of Chinese painting. Thefemale art gradually on the rise, and have begun to play a decisive role in the whole China statusin the history of painting, In the women’s paintings, whether express, birth, life, society, life andother related feminine image theme, embodies a female specific maternal feelings. Zhou Sicong,Wang Yanping, Yu Hong is a representative of the main, although the painting style they are notthe same, but their works contains maternal consciousness strong, has a female peculiarexquisiteness, perceptual interpretation of their own world. And they got rid of the previousgrandiose and female narrow creation mode, with a more liberal approach to explore the art ofthe road of life.This paper attempts to trace back Chinese female painter, maternal consciousnessoutpouring of root from the aesthetic, social and psychological perspectives, With the vigorousdevelopment of contemporary female art, Creative ideas and art of the three female artist’sexpression analysis, see how they take the recessive maternal love, the unique female perspective,attention to the surrounding environment. In order to help me to find the appropriate expressionof your soul’s painting language, for the future of art creation road play the role of reference andrealize their own value of life.The article begins with an introduction, discusses the significance of the selected topic andthe value, the main ideas of the author, research status and research methods. The first chapter,firstly, the female, female painting arts as well as the meaning of the painting in the maternalconsciousness, analyzing the necessity of his aesthetic constituents and maternal consciousnesscontains maternal consciousness in the, and pave the way for the second chapter. The secondchapter makes a comparative analysis from the representative works of Zhou Sicong, WangYanping, Yu Hong three female painter of the artistic creation background, painting system,different stages of multi angle, presents and analyzes the same points three female painter anddifferences, learning how they express maternal consciousness feminine through painting, furtherresearch levels of the feminine artist humane care and spiritual essence. This part is the focus ofthis thesis, is also the difficulty. The third chapter is to combine their own actual situation toanalyze our success on the resistance and the path of self realization, and lay a solid foundationfor the future road of art. The last part is the conclusion, through the analysis of the three chaptersummary, maternal consciousness of female artists, I analyzed the present disadvantages.