Dark Clouds Under The Line Of Light

2011Asghar·Farhadi directed to bring their work "a Separation", after the InternationalFilm Festival debut, started into the spotlight, as a new generation of Iranian director, whoseworks have a very strong personal style. Based on Iranian history, social environment, customs,religion, and the overall style of Iranian cinema, the focus from the subject, the three dimensionsof visual language and narrative depth interpretation of the movie Asghar·Farhadii’s personalstyle and heritage of the Iranian film and breakthroughs.First, in terms of theme and content, Asghar·Farhadi’s movie themes and social reality inIran has a very close relationship, because the prevalence of religious and secular ideas IranianMuslim male chauvinism, which works mostly on marriage and the family voted to the care offemale human. Coupled with Iran is an ancient tradition in Islamic countries, the process ofmodernization has been the impact of Western culture, in this cultural collision should be how todeal with Iran? This also reflects the proposed topic· Farhadi Siha filmmakers as a keen socialinsight.Secondly, in the visual language of performance practices, Asghar·Farhadi’s film achievedsuch success, thanks to standing on the shoulders of giants, this giant is the traditional Iranianmovies. Traditional Iranian films influenced by Italian neo-realism in the performance practices.This paper discusses in detail how Asghar·Farhadi new realism is deeply rooted in the soil ofIran in the nation, as well as on the basis of the new realism of inheritance, but also has a kind ofinnovation.Iran with the China as a strict censorship, how not to touch the review scope in this"high-voltage wire" in the shooting of films, the paper finally summarizes Asghar·Farhadi toChinese film several enlightenments and suggestions to bring.