An Analysis Of The Title And Music Connotation Of Liu Tianhua 's

This paper’s topic is’The Analysis of the features about TianHua Liu Solo Erhu’s music title and the related musical connotation’, The reason why Ⅰ choose this topic to talk about is because that I played Erhu since Ⅰ was a child and grouped up under the environment of Chinese traditional music Master Liu, as one of our country’s famous musicians, has lots of fellow junior followed his path, study his work and learnt fromhim。From my point of view, as for now, there were just too many papers about Master Liu’s Music work and even have formed a specific research forum。But few of them were talking about the subject of Erhu Solo。Master Liu’s solo Erhu Music, which as the actual practical music work during the "the reformation of Chinese Music", not only embedded the spirit of the May4th Movement of the youth, but also represented that the new music area has coming。During that time, most researchers have put too much attention on the contents and forms of the music works and tend to be forgotten about studying the meaning of the music work’s title. So, to better understand the meaning of Master Liu’s music work, there are mainly two parts need to be focus on:the music content itself and the music title, otherwise the research of the Master Liu’s work will seems like searching in the dark nighu Therefore, the author decided to make a research about the Master Liu’s music title as a new topic, which hopefully could promote the study of Mater Liu’s Music。The paper consists of four different parts:First, Master Liu’s composing thoughtsBy looking through Master Liu’s lifetime, we can conclude that what really behind his great thought--’the reformation of Chinese Music’ was his life experiences。The author will lead the reader by walking through the experience of his Road to Music and discover the formation of his great idea as well as the details about the social practice of this idea。Second,, Features about the Titles of Master Liu’s Solo Erhu MusicThe author has covered the background and the origin of the thought about "the reformation of Chinese Music" in the first part。The second part will continue to describe that how exactly Master Liu make the actual progress under the big thought--"the reformation of Chinese Music"。 This part is mainly focus on analyzing the features of Master Liu’s solo Erhu music’ titles。To do that, we have to understand the basic knowledge about the Chinese traditional musical instrument as how it impacts our musical culture. By knowing the traditional musical instrument history and the mysteries behind it, we can better understand the features of Master Liu’s solo Erhu music’ titles。Master Liu seems to be very cautious about naming his music title。 Through analyzing the title and how the May4th Movement have impact it, we can conclude that the actual spirits behind the title was the spirit that people eager to pursuit the freedom, liberation and equality。So, Master Liu’s music serves as a new landmark in the history of Chinese music Master Liu creates those titles under his deep self-cultivation and amazing creativity, which perfectly merge the titles with the music contents。Moreover, the music Master Liu created has opened a new page of China’s music history。Third, the inner connotation of Master Liu’s solo Erhu musicIn this section, we will discuss the connotation of Master Liu’s solo Erhu music by two aspects. First part is Musical vocabulary&Musical features a Second part is Performance features&creativity。Master Liu’s music creation have both the east and west culture within it, he use the east culture as the bone of music structure and use the west ideas as the meat to enrich the music content which in this way, he has made his music alive and vivid among the others。What a pity that most people who knows about his mater piece but rarly have the properly understanding of his worko The titles and the contents have perfectly bonded together in Master Liu’s music and each cannot live without the other, which serve as one of the most great creation in musical history。The author hope after doing the research about the Master Liu’s work could gain a new perspective for the researchers who wants to also study Master Liu’s music work in the future。Summary:Master Liu has contributes his entire life to our country’ s music base on the concept of "the reformation of Chinese Music"。The Erhu music he created during those days has made a massive and significant affects among the youth people。Nowadays, Erhu has become one of the most important Chinese instruments which would never become true without Master TianHua Liu’s great effort。By absorbing and take advantage of Western music, Master Liu has change the status of Chinese traditional music and helped people to open their mind. From that time, people have changed their attitude about Chinese traditional music dramatically and are able to see the charm of our traditional music。From that day, the new traditional music concept has deeply embraced by the people who devoted themselves to the music and the citizen have also seen the unique beauty of our country’s music。Thus our country’s artistic development has step into a new area。By analyzing features about TianHua Liu Solo Erhu’s music title, we are able to discover more efforts which Master Liu has made in our traditional music Mater Liu’s breakthrough in terms of traditional music has shown that back to the May4th Movement, the new Chinese generation craved to change, to break the chains of feudalism and to create new things。 So, I hope by doing a research about’the features of TianHua Liu Solo Erhu’s music title and the related musical connotation’, which could have its own value to other musicians,historlans or even just music lovers...