A Study Of Wu Zhaofen 's Newly Classical

Chinese dramatic art after a long gestation process, to the Song and YuanDynasties matures, there has been the Yuan Dynasty, Tunes mature opera style,and generated a lot of the ancient theater of outstanding works. These themesdramatic works followed a typical characteristic of generations, that drama seriesperformers at different times depending on the orientation of the times to acceptthe wind, the mainstream ideas, as well as the audience for dramatic regionaldifferences Motif processing re-creation. Modern female screenwriter Wu Zhaofenpen " snow fishing Qiao,"" Purple Hairpin "," Butterfly Dream"," Meng Lijun " orbased on the Yuan Dynasty, the Ming legend, or is derived from the words of theMing, Qing Dynasty storytelling, are all on the re-creation of classical drama,despite these new writers have been very different questions charm with his mother,or simply the opposite, but they are all based on a heritage of classical theater forunderstanding and awareness above.Unlike other art forms theater arts, can not invariably be documented in thecontext of ancient times still only be the subject of classical drama adapted formodern society in order to better cater to modern audiences. And only inherit andcarry forward on the basis of classical opera innovation, development, and in orderto maintain the vitality of the Chinese opera. Although opera produced in the QingDynasty, but in the course of its development is widely learned the essence ofclassical theater, performing essential attribute of the traditional form also plays acreative inheritance, its representative repertoire " The West Chamber "," ButterflyLovers","Love Revisited"," Dream of Red Mansions " etc. adapted from classicaldrama, fiction themes, and playwrights in the process of adaptation of these workshave been transformed." opera " of, let repertoire theme for opera stage, spectatorservices, it is such efforts have enabled the development of opera in the course ofjust a few hundred years became the countrys second largest opera.Former Shanghai Yue Opera screenwriter national Wu Zhaofen to the uniqueand delicate female emotions to inject an appropriate opera, she performed in classical drama adapted for the modern stage performance in adhering to the " lovewhich Paul " principle, the unique truth, infatuation concepts mastered them, andask yourself the salt dissolved in classical modern water makes these New classicalopera music and todays audiences can produce a resonance, so as to achieve themind fit collisions.This paper focuses on the "Butterfly Dream"," snow fishing Qiao "," MengLijun,"" Purple Hairpin " and many other New classical drama, starting from thefemale identity playwright studied drama inherent in these traditional ideas contentsources and folk cultural phenomenon, and its derivative, the development of newtheme pioneering role in the drama Motif rheological process, to explore andresearch.In the tradition of classical drama on the issue of how this project successfullyon Wu Zhaofen New classical drama as an example, the analysis of their traditionalsource of ideas and key points fit with contemporary audiences. New-depth study ofthese classical drama, not only a more comprehensive display of her creative ideas inthe traditional culture of the inheritance and development, but also to fill the systemof modern writers understanding of the process of re-creation of classical drama tomake renewed stage has a certain role in promoting vitality.