The Art Of Recent Novels: From "Carnival" To "

Liu Zhenyun is one of the Chinese contemporary literature the most outstanding writer, his novels almost a shot, can cause great repercussions. From the initial creation, Liu Zhenyun’s novel is the face of life reality, most deep place to human, from matter to spirit and constantly open up, it is praiseworthy for one’s excellent conduct in contemporary literary world, Chinese impetuous and at the same time, the object scope under his pen than ordinary writer broader, pointing to the numerous living beings, rather than as a single class. This characteristic more in his later novels more obvious. His novels and the pursuit of life unity, reality and art reality of continuous innovation, the art of writing is constantly changing, and surpass themselves, this change make his novels show the stage, at present can be divided into "new realistic novels","Hometown" and "Discourse" series.Liu Zhenyun after the two stage of the art of fiction is the research object of this thesis. This paper focuses on the novel Liu Zhenyun in recent two distinctly different is the phase characteristics of the novel art exposition, closely related to explore these two artistic styles in the novels of Liu Zhenyun, try to show the change of Liu Zhenyun’s thought and continuous pursuit of art, and loss and summarize the changes bring to Liu Zhenyun the novel creation. I use the four part carries on the elaboration to the.In the first part of this carnival concept at the same time, discusses Liu Zhenyun "Carnival" art embodied in his novels; and also has the artistic characteristics of the novels of Mo Yan’s Carnival "fatigue of life and death" and Liu Zhenyun’s "home side and the flowers" were compared, differences in order to highlight the characteristics of Liu Zhenyun’s carnival.The second part uses and the first part of a similar logic structure, first carries on the elaboration to the paper appeared in the "twist" concept, and then discusses the application of Liu Zhenyun’s novels in the "twist" art embodied in the novel and the, the last train section discusses Liu Zhenyun using the "twist" art originality and unique value.The third part discusses between using Liu Zhenyun’s "Carnival" and "twist" the two Art Association, unchanged from two aspects and changes to its. To the performance of the Liu Zhenyun to the life reality and art reality unity through constant pursuit of particular changes, construction of failure from the helpless deconstruction to the effort, which reflects the value of Liu Zhenyun’s novels.The fourth part discusses the use and loss of Liu Zhenyun’s novel art uses. Liu Zhenyun Carnival novel tension was "chaos", the type of Twist novel slightly single inner and deep connotation. This is his novel presents us with a basic impression, therefore, how to do it in writing expression profoundly understand and connotation is rich, is left to the later writers lessons.