Mello - Ponty 's Visual Problem

Merleau-Ponty，s vision problems is his philosophical metaphor. The author in thispaper mainly deals with how to construct the "opening visual" mechanism, how tofind the oirginal of "silent" for visual experience. Paper combines philosophicaltheory in today’s hot topic-"visual and ideology “relationship,cutting into a minorpoint of Merleau-Ponty’s body aesthetics: the "vision" mechanism, and discusses itsoperation patterns and functiones. Research have a positive significance in finding"the secret of the visibility " and in reviewing beauty and art.Thesis research background are: first, the visual problems in western painting art,nam"ely the "eye mixed problem. Second, the "visible" riddle of the world, namely inwhat sense, we need to "see" the world.The ifrst chapter analysis Merleau-Ponty visual metaphor put forward strategies:deals with the relationship between vision and thoughts，vision and language. Visionis not ideas，vision have included ideas.Vision is a problem, therefore, is also answer.As proof of "living body", vision becomes the human condition "holders’’?一it requiresthe involvement in the world, rather than look on the world. Therefore Merleau-Pontyrequire "landing" visual mechanism befall from Plato-Cartesian "overlooking typevisual mechanism, he called for philosophers, artists, return to" life world".This visualmechanism requires us to mount the objective judgment, restore oirginal associatedwith the world. Human stood in the eternal silence of the world, as well as embeddedin the flesh of the world, that determines our eyes can in a single dimension mixedwith eyes of “the other".The second chapter discusses the visual experience of Merleau-Ponty. He askedhuman "return to the phenomenon return to the experience of phenomenon.Merleau-Ponty tires to find the position of visua-ontology. It is at the critical point wewith things "see" of each other, human beings need to describe their own silent,original expeirence associated with the world. World is the other of silent，but theintentionality of body can project its meaning for it, and mix the meaning of”theother" in it. Re’versibility of the painters body determines the reversibility of vision,their eyes can directly penetrate things, reply a better relationship with the world.Because the intentional ity of body can project significance for the world, in atrcreation and art appreciation, peopl"e should adopt the "sub-human"，sub-eternal"gaze. When the painter lending body to world, and standing in the center of theexistence, art are owning its "flesh". They open an eternal phenomenon field, waitingfor the other’s gaze mixed.The third chapter elaborated in artistic creation and appreciation, we need to "open"our vision. The artist’s vision is "great" vision, their eyes can probe into the internalthings,make invisible visible. Atr works are "internal image" of reality, different fromillusion or dream. Merleau-Ponty vision problems "shocked" the evidence thathumans become accustomed.However, when humans are in a fuzziness between"phantom”with”true"，uncertainty is bound to be increasingly deepened.