From The "Washing Gauze", "Ramble" Seeing Liang Chen-yu's Thinking

Liang Chen-yu is a famous Ming Dynasty opera writers, whose main works of the legendary opera "Washing Gauze" and the dramas "Ramble" is the development of China's long history of ancient drama the beautiful waves, especially the legendary "Washing Gauze" creative, is generally considered the first use of the reformed chamber concert of the legendary Kunshan script, he first succeeded in the new Kunshan for a cappella chamber onto the stage to express endorsement body Opera (Characters in drama and is the opera significant features), so that the new popularity of four-chamber Kunshan, in Kun milestone in the history of development; addition, he will combine with political and love, creating a feeling of writing to clutch the feeling of the writing style rise and fall, as the "Peach Blossom Fan "" Palace of Eternal Youth "in writing for reference in the drama in the history of important ground-breaking. "Washing Gauze" and "Ramble" is the creation of the performance of his progressive views on women and the longer-ideal life pattern. For such a song, whether in literature or in academic circles have important figure, but few people a long time to pay attention to him, study him, and therefore, I believe that this important figure of thought and work in-depth analysis and mining is an important academic value.This article will focus on the fish to Liang Chen, "Washing Gauze", "Ramble" as the main object of study, and its poetry, the crew sets and other works. At the same time this will involve the traditional women's culture, Confucianism, Taoism culture and so on. This article will also be from the "recent history of the Yau Community" progressive views on women, Xia of thinking, longer-complex four-pronged approach, combining historical background, in-depth text, and contact the traditional culture of the Liang Chen fish thought to be more in-depth and detailed analysis.Introduction will be the first from the number, date of birth, literature overview, family, facial features, personality traits, life history and other aspects of the beam profile of the fish were introduced Chen, and Kai Shao Liangchen research status of fish thought, and finally explain Liang Chen Thought of the academic significance of fish.Chapter absurd from the recent history and Yau two angles to start on. In recent history of this section, first introduced the culture of traditional Chinese opera historian "near history" feature of, and then from cause analysis, text analysis point of view of the Liang Chen fish opera "near history" were analyzed. Yau wrong in this section, first of all that is fiction set Yau false consciousness, and then combined with specific analysis of the text Yau Liang Chen absurd drama features of the fish. Finally, Liang Chen fish held in the operas "in recent history and Yau absurd" to sum up the idea.The second chapter, from subversion "a woman's virtue to be ignorant" of the theory, women's "non-chastity" is a tolerance, Liang Chen fish progressive views on women because of the angle of the beam three progressive views on women Chen fish to carry out discussed.The third chapter, first, Liang Chen Xia fish with analysis of the causes of ideas, and statements in the traditional sense of the Xia, the last set the hearts of the Xia Liang Chen fish, which advocates the heroes dare to go to the national crisis and the blending of Xia and loyalty.Chapter Liang Chen from the fish were thinking of "Confucian" elements, Liang Chen fish thought of "Tao" component, under the helpless practical political choice of the three point start Liang Chen fish served its complex causes, the last one the best option under the three together is the overall summary of this chapter.Conclusion of the paper gives a brief summary.