A Research On Cao Yu And Drama Movement Of Anti-japanese In The Rear Area

During the period of the Anti-Japanese War, Drama movement showed unprecedented prosperity. Cao Yu was the active theater star in this period. Cao Yu took part actively in various drama activities, created and adapted large number of excellent works, These all gave greatly impetus to the drama movement of anti-japanese. The drama movement also changed the concept and creation of Cao Yu's drama, it showed obvious characteristics and style of the era. From the research on the relationship between Cao Yu and drama movement of anti-japanese in the rear area, There will be more comprehensive understanding for Cao Yu's contributions to the prosperity and development of Anti-japanese drama movement in the War of the rear area.Full text of the structure is divided into six parts altogether:The part of the foreword mainly explains the meaning of the proposition and reviews past research briefly, and explains the purpose of this research and its content and significance, states the research approach and principles of this text;The second part introduces activities and dramas about Cao Yu in the rear of the War, Cao Yu supported and participated actively in various theatrical performances, had been invited to participate in theatrical presentation of theoretical knowledge, composed and adapted multiple dramas. Cao Yu threw himself into the "anti-Japanese national salvation" and "nation-building" of the times;The third part analyzes characteristics of the times from Cao Yu's drama in rear of the times. With the drama movement of Anti-japanese in-depth development," nation-building" and "enlightment" into drama theme of the times. Cao Yu's drama concepts and style changed greatly in this period, and his drama showed the distinct characteristics of the times. He emphasized the advocacy of drama, satired on the exposure and had a strong practical orientation, while paying attention to salvation, the play also showed a strong spirit of cultural enlightenment.;The fourth part presents dramatic style evolution in Anti-Japanese War. Cao Yu's Characterization presented from external expression to the depth of the inner world, the development of dramatic conflicts from outer to inner, language from the straightforward exposure to the poetic nature of the flow. This was not only connected the times atmosphere, but also related with Cao Yu's continuous exploration of art. The evolution of cao Yu was very representative in the rear;The fifth part mainly discusses cao Yu's contribution to the Anti-Japanese drama movement in the rear, The drama movement enjoyed a boom in the rear, dramatic writing, stage performances, drama theory and so on are given harvest, it can not ignore great contributions from Cao Yu. Cao Yu's theoretical building,enthusiastic drama activities,outstanding works led and promoted drama movement's prosperity;The last part is the conclusion of this article, It emphasizes the huge contuibution of the Cao Yu's drama activities and works to whole rear drama movement of anti-japanese.