Permanent Charm Of The Zhongnanshan-the Zhongnanshan Impact On The Landscape Painting After The Tang Dynasty

The main point of this article discussed the effects which the Zhongnanshan after the Tang dynasty in Chinese landscape painting. Writing of this article with a special study of the characteristics, but also has a comprehensive research features. The author of this article in order to constitute the three topics of research papers started, they are described below.First, the decline of Zhongnan feelings: After the Tang Dynasty,Qinling Mountains is the Song, Liao, Jin's borders, but also they are the front line of confrontation. Zhongnanshan military advancement, and cultural status of down, and gradually lost its creation in the geopolitical landscape and cultural center.Second, Zhongnan feelings relic:After the Tang–Song Dynasty Zhongnanshan impact on the landscape is still ongoing, and can be divided into two kinds of concrete and abstract patterns. The former refers Zhongnanshan directly related to landscape creation; the latter refers Wang Wei, Fan Kuan's style related to Landscape Painting.Third, Zhongnan feelings of reversion: The early Ming's Wang Lv and early Qing's Dai Benxiao had been to traveled Huashan and write it in their works. Zhongnanshan as the source, the value of the evolution of landscape painting of a certain expression. WangWei, "Jiang Shan Snow ", "Wangchuan " and other paintings in the ancient treasure highly, and its Spread, copying, printing, the embraces Zhongnanshan the seclusion of his poetry and utilitarian double complex.Zhongnanshan breeds of landscape art and artistic ideas, influence has never stopped. Zhongnanshan the impact of Chinese landscape painting is a kind of a prototype of significant practical impact, but also a recluse within the landscape into the potential impact of Chinese culture.