A Study Of Huashan Theme Landscape Painting In The 20th Century

This article takes the landscape painting on the theme of Mount Hua in the 20 th century as the research motif,and conducts a comprehensive study based on the individual cases of typical characters,as well as geographical characteristics,mountain human history,etc.,to explain the relationship between Mount Hua and landscape painting in the 20 th century as a rough sketch,and explore its value and significance for the development of landscape painting in the 20 th century.The full text focuses on the representative period of Huashan theme creation by the three masters of the 20 th century,Zhang Daqian,Fu Baoshi,and Shi Lu.Huashan has an important impact on their artistic careers.Although they are of the same age and live in roughly the same historical background,the period of their ascent to Mount Hua is not the same.In addition,the mainstream concepts in the art world are constantly changing under the influence of multiculturalism.Therefore,as landscape painters,they have the same initial intention of "learning from the teachings of nature," but also take their different goals or missions to map and write Mount Hua.In order to break away from the narrow and isolated perspective of observation,and further explore the Huashan theme creation before the 20 th century,as well as the artists who participated in the Huashan theme creation in various periods when Zhang Daqian,Fu Baoshi,and Shi Lu lived,or the art groups led by them,to deeply elaborate on their theme selection,creative ideas,and social,economic,and cultural backgrounds,while conducting a schematic analysis of the Huashan images created by these artists,Refine the techniques and characteristics of their respective expressions of Huashan,focusing on exploring the artistic spirit that Huashan bestows on them,and how they derive artistic nourishment from Huashan to expand their artistic vision and ink expression language.More importantly,when painters face Huashan and express its natural beauty,they also bestow their respective epochal spirits on their noumenons,Therefore,with the help of the creative understanding of these masters,Huashan ultimately promoted its mountain culture and formed such a phenomenon of mutual gain.This is also the fundamental reason why Chinese landscape painting can continue to develop and endure for thousands of years,which is also the significance of this article’s research on Huashan theme landscape painting in the 20 th century.